Vitruvius Net Worth

Marcus Vitruvius Pollio was a Roman architect, author, and civil and military engineer who lived during the 1st century BC. His ten-volume work 'De architectura' is the only source of information about him, and it reveals his knowledge of architecture, philosophy, mathematics, and medicine. His revelation about the perfect proportions in architecture and the human body helped Da Vinci make the famous Renaissance drawing of the Vitruvian Man. His designs for buildings were lost to the world for many centuries, until his books were re-discovered in some form during the Renaissance, which guided the European architects for many years. Vitruvius also had interests in history and travelling, and he travelled widely with the army.
Vitruvius is a member of Architects

Age, Biography and Wiki

Who is it? Roman Architect
Birth Place Italy, Roman Empire, Ancient Roman
Died On 15 BC (aged 64–75)
Occupation Author, architect, civil engineer and military engineer
Notable work De architectura

💰 Net worth

Vitruvius, the renowned Roman Architect of Ancient Rome, is projected to have a net worth ranging from $100,000 to $1 million in the year 2024. His incredible wealth can be attributed to his influential contributions to architecture during his time, which have left a lasting impact on the field to this day. Known for his comprehensive treatise, "De architectura," Vitruvius' expertise and innovative designs have solidified his status as an esteemed figure in the world of Roman architecture. Such remarkable accomplishments have undoubtedly contributed to his substantial net worth as recognized by historians and experts within the field.

Some Vitruvius images

Famous Quotes:

The Prefect of the camp, though inferior in rank to the [Prefect], had a post of no small importance. The position of the camp, the direction of the entrenchments, the inspection of the tents or huts of the soldiers and the baggage were comprehended in his province. His authority extended over the sick, and the physicians who had the care of them; and he regulated the expenses relative thereto. He had the charge of providing carriages, bathhouses and the proper tools for sawing and cutting wood, digging trenches, raising parapets, sinking wells and bringing water into the camp. He likewise had the care of furnishing the troops with wood and straw, as well as the rams, onagri, balistae and all the other engines of war under his direction. This post was always conferred on an officer of great skill, experience and long service, and who consequently was capable of instructing others in those branches of the profession in which he had distinguished himself.



Gerolamo Cardano, in his 1552 book De subtilitate rerum, ranks Vitruvius as one of the 12 persons whom he supposes to have excelled all men in the force of genius and invention; and would not have scrupled to have given him the first place, if it could be imagined that he had delivered nothing but his own discoveries.


Vitruvius is famous for asserting in his book De architectura that a structure must exhibit the three qualities of firmitas, utilitas, venustas – that is, it must be solid, useful, beautiful. These are sometimes termed the Vitruvian virtues or the Vitruvian Triad. According to Vitruvius, architecture is an imitation of nature. As birds and bees built their nests, so humans constructed housing from natural materials, that gave them shelter against the elements. When perfecting this art of building, the Greeks invented the architectural orders: Doric, Ionic and Corinthian. It gave them a sense of proportion, culminating in understanding the proportions of the greatest work of art: the human body. This led Vitruvius in defining his Vitruvian Man, as drawn later by Leonardo da Vinci: the human body inscribed in the circle and the square (the fundamental geometric patterns of the cosmic order).


In addition to providing his qualification, Vitruvius summarizes a recurring theme throughout the 10 books, a non-trivial and core contribution of his treatise outside simply a construction book. Vitruvius makes the point that the work of some of the most talented are unknown, while many who are of lesser talent but greater political position are famous. This theme runs through Vitruvius’s ten books repeatedly – echoing an implicit prediction that his works and himself will also be unknown.

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