Stephen McNally was an American actor who had a net worth of $15 million. Born in the United States in July 29, 1911, McNally had a long and successful career in film and television, appearing in over 100 films and television shows. He was best known for his roles in the films The Miracle of the Bells, The Big Clock, and The Flame and the Arrow. He passed away in 1994 at the age of 83.
Stephen McNally is a member of Actor
Age, Biography and Wiki
💰 Net worth: $15 Million (2024)
Stephen McNally, a prominent actor in the United States, is expected to possess a staggering net worth of $15 million by the year 2024. Throughout his illustrious career, McNally has garnered recognition for his exceptional talent and dedication to his craft. With numerous notable performances, he has become a household name in the American entertainment industry. With his captivating on-screen presence and versatility, it comes as no surprise that McNally's net worth continues to grow steadily. As he continues to take on challenging roles and contribute to the world of cinema, his financial success is a testament to his hard work and achievements.
"B" actor Stephen McNally forsook a thriving career as a practicing attorney in the late 1930s when he made the decision to switch gears and pursue acting, which he did avidly. He began his career on stage using his real name of Horace McNally and earned minor status in World War II-era films as both a minor hero and heavy. In 1946 his career took a boost when he changed his stage name to Stephen McNally and carved out a niche as both villains and "tough guy" heroes. He was notably despicable in the Jane Wyman starrer Johnny Belinda (1948) and in Winchester '73 (1950) with James Stewart. His heroes fell into such secondary adventures as City Across the River (1949) and Flitsende vleuglels (1951). McNally continued duking it out with the leads in other 1950s fare, often for Universal Pictures, such as Geen uitweg (1950), Battle Zone (1952), the somewhat bizarre Don Siegel western The Duel at Silver Creek (1952), A Bullet Is Waiting (1954), Geladen zaterdag (1955), Tribute to a Bad Man (1956) and Johnny Rocco (1958). In the long run he proved much more interesting when his character had little redeeming qualities. He starred in a couple of TV series following his wave of movie-making but none of them really stuck and his name never became etched into the minds of audiences.
