The territorial male swan on the right was hissing as this photo was taken. Behind the swans in the lower pond is a goose and at least three ducks. Zamek Konarovice Czech Republic
I look forward to to seeing everyone tomorrow at the NYCC concerning the continuing serialization of Neil Gaiman’s beautiful award winning novel American Gods.
I look forward to performing Crispin Hellion Glover’s Big Slide Show Part 1 and presenting Part 1 of the IT Trilogy What is it? And seeing everyone in at the show in Copenhagen on October 9 at the Cinemateket for the CPH PIX Film Festival! More information on CrispinGlover.com and https://myemail.constantcontact.com/Crispin-Glover-Live--Copenhagen---Part-1-of-IT-Trilogy-What-is-it-.html?soid=1101699099305&aid=2sO-GbZeQLk
There are at least 16 peafowl in this photo in the parterre at Konarovice Zamek Czech Republic
Lone peacock begins to lower his display in the parterre at Zamek Konarovice Czech Republic
A peacock lands from a flight at Zamek Konarovice Czech Republic
Three peahens chase each other in circles at Zameck Konarovice Czech Republic
Peacock displays at Zamek Konarovice Czech Republic
A lone peacock displays in the parterre at Zamek Konarovice Czech Republic
One peacock displays while five peafowl look in other directions in the parterre at Zamek Konarovice Czech Republic
Lone peacock contemplates dusk and the trees it will fly in to for the night at Zamek Konarovice Czech Republic
Two peacocks display while one peacock and at least eight peahens do other things in the parterre at Zamek Konarovice Czech Republic
Glover has written between 15 and 20 books. Oak-Mot and Rat Catching are featured prominently during his Big Slide Show presentation, and are presented as visual art as much as written art. He constructs the books by reusing old novels and other publications which have fallen into the public domain due to their age (for Example, Rat Catching was constructed from an 1896 book Studies in the Art of Rat Catching, and Oak-Mot was constructed from an 1868 novel of the same title). He rearranges text, blacks out certain standing passages, and adds his own prose (and sometimes images) into the margins and elsewhere, thus creating an entirely new story. Four of his books have been published so far, through his publishing company, Volcanic Eruptions. Other known titles include The Backward Swing, A New World, and Round My House.
Glover has residences in Los Angeles and the Czech Republic. His residence (45 minutes east of Prague by train) Zámek Konárovice, is a 17th century 20-acre (8.1 ha) chateau that is recognized as historically significant by the Czech government. The property requires constant upkeep and restoration; according to Glover, "[The property] is a lifetime project that will be in continuous flux and repair for hundreds of years from now, as it has been the hundreds of years before I 'owned' it."
He is also the voice of Fifi in the Open Season franchise and appeared in the screen adaptation of the Elmore Leonard novel Freaky Deaky. He played a German-speaking clairvoyant during World War I in the Polish-language film Hiszpanka, and an unwitting employee in Service of Robert De Niro's character in The Bag Man. In the late 1980s, Glover started his company, Volcanic Eruptions, which publishes his books and also serves as the production company for Glover's films, What Is It? and It Is Fine! Everything Is Fine. He currently stars in the Starz television series American Gods as Mr. World, the god of globalization.
His Father is of English, Czech, and Swedish descent, and his mother is of German and Czech ancestry. As a child, Glover attended the Mirman School from first grade through ninth grade. He then attended both Venice High for tenth and eleventh grade, and Beverly Hills High School only for twelfth grade; he graduated in 1982.
Glover began acting professionally at the age of 13. He appeared in several sitcoms as a teenager, including Happy Days and Family Ties. His first film role was in 1983's My Tutor. That led to roles in Teachers (1984) and Friday the 13th: The Final Chapter (1984). He then worked with Director Trent Harris on the third chapter of the Beaver Trilogy, entitled The Orkly Kid. In this short film, he portrayed a small-town man who organizes a local talent show to showcase his obsession with Olivia Newton-John, much to the embarrassment of the local community. At the climax of the film, Glover does his rendition, in full drag, of Newton-John's "Please Don't Keep Me Waiting" from her 1979 album Totally Hot.
His breakout role was as George McFly in Robert Zemeckis's Back to the Future, an international box office success in 1985; his character was the Father of Marty McFly, despite being three years younger than Michael J. Fox in real life. Glover and the producers could not agree on suitable terms for him to appear in the sequels, so the role of the character was greatly reduced and recast. In Back to the Future Part II, Zemeckis reused brief footage of Glover which had been filmed for the first film. Glover was billed as "George McFly in footage from Back to the Future" in the closing credits. The older footage was combined with new footage of actor Jeffrey Weissman wearing a false chin, nose and cheekbones, and various obfuscating methods – in the background, wearing sunglasses, rear shot, upside down – to play the role of George McFly. Because these methods suggested that Glover himself had performed for the film, he sued the producers on the grounds that they had used his likeness without permission, as well as not having paid him for the reuse of the footage from the original film. Subsequently, clauses in the Screen Actors Guild are now in collective bargaining agreements to the effect that this is no longer permitted.
Glover appeared on Late Night with David Letterman on July 28, 1987, to promote River's Edge. Unbeknownst to David Letterman and the audience, Glover appeared in character as "Rubin" from the then-unreleased film Rubin and Ed, wearing platform shoes and a wig. Rather than a conventional interview, Glover staged an Andy Kaufman-like prank. After being goaded by a woman in the audience (who some argue had been planted), Glover stated he "knew that this was gonna happen" and "the press, they can do things, they can twist things around." After challenging Letterman to an arm-wrestling match, Glover delivered an impromptu karate kick a few feet from Letterman while stating, "I'm strong... I can kick!" Letterman then abruptly ended the segment by walking off stage, saying, "I'm going to check on the Top 10," as the program cut to commercial.
In 1989, during a hiatus from films, Glover released an album titled The Big Problem Does Not Equal the Solution, The Solution Equals Let It Be through Restless Records, produced by Barnes & Barnes (of "Fish Heads" fame). The album features original songs such as "Clowny Clown Clown", odd versions of Lee Hazlewood's "These Boots Are Made for Walkin'", and Charles Manson's "I'll Never Say Never to Always" (sung in falsetto), and readings from his art books Rat Catching and Oak Mot. Sample pages from these books are featured in the album's liner notes.
The subsequent confusion and controversy surrounding his appearance was compounded by the fact that Rubin and Ed was not actually released until 1991. However, the film had been in development since before Back to the Future – Glover had actually already devised Rubin's "look" by 1985. Glover has since refused to go into detail about the reasons for his behavior on the show, other than to mention that he was flattered that fans are still speculating on the performance more than 20 years later. He also stated that he prefers there to be an "air of mystery" about the appearance. In an interview in 2011, Back to the Future co-star Michael J. Fox talked about the incident with Letterman, saying, "Crispin isn't crazy, just excitable."
A number of songs using Glover's name as the title have been recorded by various artists, including shoegaze/gothic rock band Scarling., Chicago outsider musician Wesley Willis and a New Jersey-based band called Children in Adult Jails. In the early 2000s, a Kansas City band named itself Onward Crispin Glover. http://www.kansascity.com/entertainment/ent-columns-blogs/back-to-rockville/article1353305.html
From 2002 until 2003, Glover was dating Alexa Lauren, a Penthouse magazine Pet of the Month for September 1999.
Glover recorded a version of the Michael Jackson song "Ben" to coincide with the release of the 2003 film Willard; the song had been written for the sequel to the original 1971 version of this film. In the music video for the song, he sings to a rat named Ben.
Glover made his directorial debut with 2005's What Is It?, a surreal film featuring a cast of actors with Down syndrome. It premiered at the 2005 Sundance Film Festival. With a budget of only $150,000, it took almost a decade to complete, and was originally intended to be a short film. Most of the primary footage was shot in 12 days, stretched over a two-and-a-half-year period. Production was mostly funded by Glover's roles in Willard and the Charlie's Angels films.
Glover's second film, It Is Fine! Everything Is Fine., was written by Utah Writer and actor Steven C. Stewart. Stewart was born with severe cerebral palsy and had been confined to a nursing home for about 10 years. The film is a fantastical psychosexual retelling of life from Stewart's point of view. It premiered at the 2007 Sundance Film Festival.
Glover is known for portraying eccentric people on screen, such as George McFly in Back to the Future, Layne in River's Edge, unfriendly recluse Rubin Farr in Rubin and Ed, mentally ill Cousin Dell in David Lynch's Wild at Heart, Andy Warhol in The Doors, the Thin Man in Charlie's Angels and its sequel, Willard Stiles in the Willard remake, Bobby McBurney in What's Eating Gilbert Grape, Ilosovic Stayne / The Knave of Hearts in Alice in Wonderland, Phil Wedmaier in Hot Tub Time Machine, and 6 in 9 (2009).
Glover was recognized for his directorial work in 2013 when the Museum of Arts and Design in New York City staged the series It Is Crispin Hellion Glover. The program consisted of screenings of all of his directorial work, live performances, and speaking engagements.