| Who is it? | Actress, Camera Department, Producer |
Rebecca Marshall, a talented Canadian actress, camera department worker, and producer, stands with an impressive net worth estimated to be $5 Million in the year 2024. Throughout her illustrious career, Marshall has showcased her incredible acting prowess in various television shows and films, leaving a lasting impact on the entertainment industry. Her dedication and commitment to her craft have not only brought her critical acclaim but have also helped her to accumulate significant wealth. With her diverse skill set and relentless passion, Rebecca Marshall continues to captivate audiences worldwide and remains a leading figure in the entertainment world.
The younger Marshall sister began acting with the King's Company, under the management of Thomas Killigrew, around 1663; she remained with that troupe for her full career, except for a final year with the rival Duke's Company in 1677. She acted with her sister Anne at least once, in John Dryden's The Maiden Queen in 1664; Anne played Candiope, and Rebecca played the Queen. When her older sister retired from the stage (temporarily) in 1668, Rebecca inherited several of her roles, as Aurelia in Dryden's An Evening's Love and Nourmahal in Aureng-zebe; she may also have inherited the part of Evadne in Beaumont and Fletcher's The Maid's Tragedy. Rebecca Marshall's other roles were:
Rebecca Marshall formed a "remarkable acting combination" with fellow performer Elizabeth Boutell, first in william Joyner's The Roman Empress in 1670. Their success inspired a fashion for plays of "women in conflict," in which Marshall was usually the villainess (or at least the darker half of the pairing), and Boutell the virtuous heroine. They enacted this pattern in The Conquest of Granada, also in 1670: Marshall was Lyndaraxa to Boutell's Bezayda. And again, with Marshall as Poppea and Boutell as Cyara in Nathaniel Lee's The Tragedy of Nero (1674); as Queen Berenice and Clarona in John Crowne's The Destruction of Jerusalem (1677); and as Roxana and Statira in Lee's The Rival Queens (also 1677).
The "women in conflict" play reached beyond Marshall and Boutell: the rival Duke's Company competed with its own Actress pairing, Mary Betterton and Mary Lee; and Elizabeth Barry and Anne Bracegirdle repeated the pattern in the 1680s and '90s. In her one season with the Duke's Company, Rebecca Marshall was cast against Barry in a rare comic version of the pattern, in Thomas d'Urfey's A Fond Husband, or the Plotting Sisters.
— among other parts, including spoken prologues and epilogues for various dramas. She participated in two of Killigrew's famous all-female productions, of his own The Parson's Wedding and Beaumont and Fletcher's Philaster, both in 1672.
