Peter Benchley Net Worth

Peter Benchley was a renowned novelist and screenwriter, best known for his book Jaws which was adapted into a blockbuster movie by Steven Spielberg. He was the grandson of Robert Benchley and son of Nathaniel Benchley, both of whom were highly respected authors. After the success of Jaws, Benchley wrote The Deep and The Island which were also adapted into films. His works often centered on the world's oceans and the creatures that inhabit them. After the hysteria created by Jaws, Benchley became a dedicated environmentalist and defender of the great white shark, regretting the way it was demonized in his book. He remained active in his passion for studying great whites until his death in 2006.
Peter Benchley is a member of Writer

Age, Biography and Wiki

Who is it? Writer, Producer, Actor
Birth Day May 08, 1940
Birth Place  New York City, New York, United States
Peter Benchley age 80 YEARS OLD
Died On February 11, 2006(2006-02-11) (aged 65)\nPrinceton, New Jersey, U.S.
Birth Sign Gemini
Cause of death Complications of pulmonary fibrosis
Occupation Author, Screenwriter
Years active 1967–2006
Spouse(s) Winifred "Wendy" Wesson (m. 1964–2006; his death)
Website www.peterbenchley.com

💰 Net worth: $100K - $1M

Some Peter Benchley images

Biography/Timeline

1961

After graduating from college in 1961, Benchley travelled around the world for a year. The experience was told in his first book, a travel memoir titled Time and a Ticket, published by Houghton Mifflin in 1964. Following his return to America, Benchley spent six months reserve duty in the Marine Corps, and then became a reporter for The Washington Post. While dining at an inn in Nantucket, Benchley met Winifred "Wendy" Wesson, whom he dated and then married the following year, 1964. By then Benchley was in New York, working as television Editor for Newsweek. In 1967 he became a speechwriter in the White House for President Lyndon B. Johnson, and saw the birth of his daughter Tracy.

1969

Once Johnson's term ended in 1969, the Benchleys moved out of Washington, and lived in various houses, including an island off Stonington, Connecticut where son Clayton was born in 1969. Peter wanted to be near New York, and the family eventually got a house at Pennington, New Jersey in 1970. Since his home had no space for an office, Benchley rented a room above a furnace supply company.

1971

By 1971, Benchley was doing various freelance jobs in his struggle to support his wife and children. During this period, when Benchley would later declare he was "making one final attempt to stay alive as a writer", his literary agent arranged meetings with publishers. Benchley would frequently pitch two ideas, a non-fiction book about pirates, and a novel depicting a man-eating shark terrorizing a community. This idea had been developed by Benchley since he had read a news report of a Fisherman catching a 4,550 pounds (2,060 kg) great white shark off the coast of Long Island in 1964. The shark novel eventually attracted Doubleday Editor Thomas Congdon, who offered Benchley an advance of $1,000 leading to the Novelist submitting the first 100 pages. Much of the work had to be rewritten as the publisher was not happy with the initial tone. Benchley worked by winter in his Pennington office, and in the summer in a converted chicken coop in the Wessons' farm in Stonington. The idea was inspired by the several great white sharks caught in the 1960s off Long Island and Block Island by the Montauk charterboat captain Frank Mundus.

1974

Jaws was published in 1974 and became a great success, staying on the bestseller list for 44 weeks. Steven Spielberg, who would direct the film version of Jaws, has said that he initially found many of the characters unsympathetic and wanted the shark to win. Book critics such as Michael A. Rogers of Rolling Stone shared the sentiment but the book struck a chord with readers.

1975

Benchley co-wrote the screenplay with Carl Gottlieb (along with the uncredited Howard Sackler and John Milius, who provided the first draft of a monologue about the USS Indianapolis) for the Spielberg film released in 1975. Benchley made a cameo appearance as a news reporter on the beach. The film, starring Roy Scheider, Robert Shaw, and Richard Dreyfuss, was released in the summer season, traditionally considered to be the graveyard season for films. However, Universal Studios decided to break tradition by releasing the film with extensive television advertising. It eventually grossed over $470 million worldwide. George Lucas used a similar strategy in 1977 for Star Wars which broke the box office records set by Jaws, and hence the summer blockbuster was born.

1979

The Island, published in 1979, was a story of descendants of 17th century pirates who terrorize pleasure craft in the Caribbean, leading to the Bermuda Triangle mystery. Benchley again wrote the screenplay for the film adaptation. But the film version of The Island, starring Michael Caine and co-starring David Warner, failed at the box office when released in 1980.

1980

During the 1980s, Benchley wrote three novels that did not sell as well as his previous works. However, Girl of the Sea of Cortez, a fable influenced by John Steinbeck about man's complicated relationship with the sea, was his best-reviewed book and has attracted a considerable cult following since its publication. Sea of Cortez signposted Benchley's growing interest in ecological issues and anticipated his Future role as an impassioned advocate of the importance of protecting the marine environment. Q Clearance, published in 1986, was written from his experience as a staffer in the Johnson White House. Rummies (also known as Lush), which appeared in 1989, is a semi-autobiographical work, loosely inspired by the Benchley family's history of alcohol abuse. While the first half of the novel is a relatively straightforward account of a suburbanite's descent into alcoholic hell, the second part, which takes place at a New Mexico substance abuse clinic, is written as a thriller.

1991

He returned to nautical themes in 1991's Beast written about a giant squid threatening Bermuda. Beast was brought to the small screen as a made-for-television film in 1996, under the title The Beast. His next novel, White Shark, was published in 1994. The story of a Nazi-created genetically engineered shark/human Hybrid, it failed to achieve popular or critical success. It was also turned into a made-for-television film titled Creature, with Christopher Lehmann-Haupt of the New York Times saying it "looks more like Arnold Schwarzenegger than any fish". Also in 1994, Benchley became the first person to host Discovery Channel's Shark Week.

1999

In 1999, the television show Peter Benchley's Amazon was created, about a group of plane crash survivors in the middle of a vast jungle.

2001

In the last decade of his career, Benchley wrote non-fiction works about the sea and about sharks advocating their conservation. Among these was his book entitled Shark Trouble, which illustrated how hype and news sensationalism can help undermine the public's need to understand marine ecosystems and the potential negative consequences as humans interact with it. This work, which had editions in 2001 and 2003, was written to help a post-Jaws public to more fully understand "the sea in all its beauty, mystery and power." It details the ways in which man seems to have become more of an aggressor in his relationship with sharks, acting out of ignorance and greed as several of the species become increasingly threatened by overfishing.

2014

His second novel, The Deep, is about a honeymooning couple discovering two sunken treasures on the Bermuda reefs — 17th century Spanish gold and a fortune in World War II-era morphine — who are subsequently targeted by a drug syndicate. This 1976 novel is based on Benchley's chance meeting in Bermuda with diver Teddy Tucker while writing a story for National Geographic. Benchley co-wrote the screenplay for the 1977 film release, along with Tracy Keenan Wynn and an uncredited Tom Mankiewicz. Directed by Peter Yates and starring Robert Shaw, Nick Nolte and Jacqueline Bisset, The Deep was a box office success, and one of the top 10 highest-grossing films in the US in 1977, though its box office tally fell well short of Jaws.