Odile Versois Net Worth

Odile Versois was a Parisian actress born on June 14, 1930. She was the second of four Poliakoff sisters, all of whom went on to become successful actresses. Odile was known for her docile and delicate beauty, as well as her light hair.
Odile Versois is a member of Actress

Age, Biography and Wiki

Who is it? actress
Birth Day June 14, 1930
Birth Place France
Odile Versois age 93 YEARS OLD
Birth Sign Gemini
Birth Name Étienette De Poliakoff-Baidarov
Nick Names

💰 Net worth

Checkpoint (1956) £7,000

Docile, delicately beautiful, light-haired Parisian actress Odile Versois was born Katiana de Poliakoff-Baidaroff on June 14, 1930, the second of four Poliakoff sisters, all of whom became renown actresses in their own right. From an artistic family (her father was opera singer Vladimir de Poliakoff), Versois began her career as a child ballerina with the Paris Opera Corps de Ballet. She subsequently turned to film acting at age 18 and proved a natural with a major debut in Les dernières vacances (1948) [The Last Vacation]. Of the numerous films in which she undertook leading lady parts, she moved audiences most with her portrayals of fragile, often tragic heroines in romantic drama. Her more notable pictures include Paolo e Francesca (1950), Bel amour (1951) [Beautiful Love], the title role in Domenica (1952), Grand gala (1952) and director/actor Robert Hossein's Toi... le venin (1958) [Nude in a White Car], which also co-starred sister Marina Vlady -- known for her sultry roles. Versois also provided lovely distraction in British films in the 1950s in_A Day to Remember (1953)_, David Knight in The Young Lovers (1954) [aka Chance Meeting], Alec Guinness in To Paris with Love (1955), Anthony Steel in Checkpoint (1956) and Paspoort der Schande (1958) starring Diana Dors and Herbert Lom.

She matured in taut crime dramas and lively costumers in the 1960s, notably Le rendez-vous (1961) and Cartouche (1962) the latter starring a swashbuckling Jean-Paul Belmondo. She also worked on the French, Belgian, Swiss and North African stages and on television, lending some touching performances toward the end, particularly in the films Églantine (1972) and Le Crabe-Tambour (1977). Dogged by ill health, she was seen less frequently into the 1970s and passed away of cancer a week after her 50th birthday, a gentle, beautiful soul gone before her time.