Nasseri was born in the Anglo-Persian Oil Company settlement located in Masjed Soleiman, Iran. His father was an Iranian Doctor working for the company. Nasseri stated that his mother was a nurse from Scotland working in the same place. He arrived in the United Kingdom in September 1973, to take a three-year course in Yugoslav studies at the University of Bradford.
Nasseri claims he was expelled from Iran in 1977 for protests against the Shah and after a long battle, involving applications in several countries, was awarded refugee status by the United Nations High Commissioner for Refugees in Belgium. This allegedly permitted residence in many other European countries. However, this claim has been disputed, with investigations showing that Nasseri was never expelled from Iran.
Having claimed to have one British parent, although he has produced no evidence to support this claim, he decided to settle in the UK in 1986, but en route there in 1988, his papers were lost when his briefcase was allegedly stolen. (Others indicate that Nasseri actually mailed his documents to Brussels while onboard a ferry to Britain, lying about them being stolen.) Despite this setback, he boarded the plane for London but was promptly returned to France when he failed to present a passport to British immigration officials. He was initially arrested by the French, but then released as his entry to the airport was legal and he had no country of origin to be returned to; thus began his residency at Terminal 1.
Nasseri's story provided the inspiration for the 1994 French film Tombés du ciel, starring Jean Rochefort, internationally released under the title Lost in Transit. The short story "The Fifteen-Year Layover", written by Michael Paterniti and published in GQ and The Best American Non-Required Reading, chronicles Nasseri's life. Alexis Kouros made a documentary about him, Waiting for Godot at De Gaulle (2000). Glen Luchford and Paul Berczeller made the Here to Where mockumentary (2001), also featuring Nasseri. Hamid Rahmanian and Melissa Hibbard made a documentary called Sir Alfred of Charles De Gaulle Airport (2001).
Attempts were then made to have new documents issued from Belgium, but the authorities there would only do so if Nasseri presented himself in person. However, under Belgian law a refugee who voluntarily leaves a country that has accepted him cannot return. In 1995, the Belgian authorities granted permission for him to return, but only if he agreed to live there under supervision of a social worker. Nasseri refused this on the grounds of wanting to enter the UK as originally intended.
In 2003 Spielberg's DreamWorks production company paid US$250,000 to Nasseri for the rights to his story, but ultimately did not use his story in the subsequent film, The Terminal.
Nasseri was reportedly the inspiration behind the character Viktor Navorski, from the 2004 Steven Spielberg film The Terminal; however, neither publicity materials, nor the DVD "special features" nor the film's website mentions Nasseri's situation as an inspiration for the film. Despite this, in September 2003, The New York Times noted that Steven Spielberg had bought the rights to his life story as the basis for The Terminal. The Guardian indicates that Spielberg's DreamWorks production company paid US$250,000 to Nasseri for rights to his story and report that, as of 2004, he carried a poster advertising Spielberg's film draping his suitcase next to his bench. Nasseri was reportedly excited about The Terminal, but it was unlikely that he would ever have had a chance to see it in cinemas.
Nasseri's stay at the airport ended in July 2006 when he was hospitalized and his sitting place dismantled. Towards the end of January 2007, he left the hospital and was looked after by the airport's branch of the French Red Cross; he was lodged for a few weeks in a hotel close to the airport. On 6 March 2007, he transferred to an Emmaus charity reception-centre in Paris's 20th arrondissement. Since 2008 he has continued to live in a Paris shelter.