Massimo Girotti Net Worth

Massimo Girotti was a talented actor who began his career in 1939. He was known for his good looks and athleticism, which he put to use in films such as Roberto Rossellini's Desiderio (1946), Luchino Visconti's Ossessione (1943) and Vittorio De Sica's La porta del cielo (1945). By the 1960s, Girotti had moved to supporting roles in adventure films, but he still appeared in quality films such as Pier Paolo Pasolini's Teorema (1968), Bernardo Bertolucci's Ultimo tango a Parigi (1972) and Visconti's L'innocente (1976). He passed away in 2003, shortly before the release of his last film, Ferzan Ozpetek's La finestra di fronte.
Massimo Girotti is a member of Actor

Age, Biography and Wiki

Who is it? Actor
Birth Day May 18, 1918
Birth Place  Mogliano, Marche, Italy, Italy
Massimo Girotti age 102 YEARS OLD
Died On 5 January 2003(2003-01-05) (aged 84)\nRome, Italy
Birth Sign Gemini

💰 Net worth: $100K - $1M

Some Massimo Girotti images



Born in Mogliano, in the province of Macerata, Girotti developed his athletic physique by swimming and playing polo. While studying engineering, he attracted the attention of Mario Soldati, who offered him a small part in the film Dora Nelson (1939), but it was not until later, in Alessandro Blasetti's La corona di ferro (The Iron Crown) (1941) and Roberto Rossellini's Un Pilota ritorna (A Pilot Returns) (1942), that he began to make an impression as a serious actor. In 1943 came a turning point in his career when Luchino Visconti cast him opposite the torrid Clara Calamai in Ossessione (Obsession), an earlier adaptation of the same novel on which Hollywood's The Postman Always Rings Twice is based. The film marked, in a sense, the birth of Italian neo-realism. Some of his notable post-war films include Caccia tragica (The Tragic Hunt) (1946) by Giuseppe De Santis and In nome della legge (1949) (In the Name of the Law) by Pietro Germi.


In 1950, he starred opposite Lucia Bosé in Michelangelo Antonioni's first full-length feature, Cronaca di un amore (Story of a Love Affair) (1950). In 1953, he played Spartacus in an Italian epic film known in the US as Sins of Rome and then, returned to work again for Visconti, in Senso (1954), giving perhaps the finest performance of his career. In the years which followed, he appeared in a large number of mainly Italian films for Directors such as Lizzani, Bolognini, Vittorio Cottafavi, Lattuada, but it was not until 1968 that he once again played a role worthy of his talents - that of the father in Pasolini's Teorema (Theorem) with Terence Stamp and Silvana Mangano. Two years later, Pasolini cast him as Creonte opposite Maria Callas in his Medea (1969). In 1972, he was in Bernardo Bertolucci's Last Tango in Paris. That same year he made a rare appearance in a horror film when he agreed to a supporting role in Baron Blood as a favor to its Director Mario Bava.


He continued to act in character roles for the next thirty years. Some of the films he appeared in have been notable, including Joseph Losey's Monsieur Klein (1976) with Alain Delon and Jeanne Moreau, the 1985 television miniseries Quo Vadis?, Roberto Benigni's Il Mostro (The Monster) (1994).


He died in Rome of a heart attack after having just completed his last film, Ferzan Özpetek's La Finestra di fronte (Facing Windows) (2003).