Masaccio Net Worth

Masaccio was an Italian painter born in 1401 in San Giovanni Valdarno. Despite his family having no connection to the arts, Masaccio became one of the most significant painters of the early 15th century and the most important painter in the Quattocentro era of the Renaissance. He is credited with introducing techniques such as vanishing point and linear perspective, as well as creating a three dimensional effect in his paintings. His most famous works include 'Holy Trinity', 'San Giovenale Triptych' and 'The Expulsion from the Garden of Eden', and his influence can be seen in the works of later painters such as Michelangelo.
Masaccio is a member of Renaissance Painters

Age, Biography and Wiki

Who is it?	Painter
Birth Day	December 21, 1401
Birth Place	San Giovanni Valdarno, Italian
Age	618 YEARS OLD
Died On	1428 (age 26)\nRome, Papal States
Birth Sign	Capricorn
Known for	Painting, Fresco
Notable work	Brancacci Chapel (Expulsion from the Garden of Eden, Tribute Money) c. 1425 Pisa Altarpiece 1426 Holy Trinity c. 1427
Movement	Early Renaissance
Patron(s)	Felice de Michele Brancacci ser Giuliano di Colino degli Scarsi da San Giusto

💰 Net worth

Masaccio, the renowned Italian painter, is expected to have a net worth ranging from $100K to $1M by the year 2024. Known for his incredible artistic talents, Masaccio has left an everlasting impact on the art world with his innovative techniques and creative vision. His skillful brushwork and ability to depict realistic human figures in his paintings have garnered him immense recognition and admiration. As a result, Masaccio's artworks have commanded high prices in the art market, contributing significantly to his estimated net worth. His contributions to the art world have solidified his legacy as one of the most influential painters in Italian history.

Some Masaccio images

Biography/Timeline

1961

The San Giovenale altarpiece was discovered in 1961 in the church of San Giovenale at Cascia di Reggello, very close to Masaccio's hometown. It depicts the Virgin and Child with angels in the central panel, Sts. Bartholomew and Blaise on the left panel, and Sts. Juvenal (i.e. San Giovenale) and Anthony Abbot in the right panel. The painting has lost much of its original framing, and its surface is badly abraded. Nevertheless, Masaccio's concern to suggest three-dimensionality through volumetric figures and foreshortened forms is apparent, and stands as a revival of Giotto's approach, rather than a continuation of contemporary trends.

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