Lawrence Michael Levine Net Worth

He is also a producer, having produced the films Wild Canaries (2014) and Always Shine (2016). Lawrence Michael Levine is a multi-talented artist who has made a name for himself in the entertainment industry. He was born an actor, writer, and producer, and has since gone on to star in films such as Wild Canaries (2014) and Always Shine (2016), as well as writing and producing both of those films. He has also produced the film Gabi on the Roof in July (2010).
Lawrence Michael Levine is a member of Actor

Age, Biography and Wiki

Who is it? Actor, Writer, Producer
Occupation Actor, director, editor, producer, writer
Years active 2004-present
Spouse(s) Sophia Takal

💰 Net worth: $100K - $1M

Some Lawrence Michael Levine images

Biography/Timeline

2005

In 2005, Levine wrote, produced, and directed his debut film Territory, based on his stage play of the same name. Critic Aaron West of eFilmCritic wrote of the film, "The off-Broadway version is undoubtedly the more appropriate medium for this story, and if given a choice, I would rather see it there. Still, I cannot help but applaud Levine for trying something a little different. His characters are extraordinarily ordinary, and his tightly wound screenplay reveals their (and our) brightest and darkest sides at various times."

2009

In 2009, he wrote and directed the short films The Empress and Fat Friend.

2010

His next film, 2010's romantic drama/comedy Gabi on the Roof in July, received a positive critical response and was praised by Eric Kohn of Indiewire, who called the film a "lightly amusing comedy". The film is also noteworthy for featuring an early appearance of Actress and filmmaker Lena Dunham.

2013

Levine is married to fellow filmmaker Sophia Takal, with whom he has collaborated on several films. In 2013, Jordan Zakarin of The Hollywood Reporter named Levine and Takal two of New York's next big independent filmmakers.

2014

In 2014, Levine wrote, directed, and starred in the mystery/comedy Wild Canaries. The film received a positive response from critics and was praised by The Village Voice as being "...the closest a contemporary film has come to replicating the unbridled jubilance of a classic screwball comedy".