Jean-Pierre Aumont Net Worth

Jean-Pierre Aumont was born on January 05, 1911 in  Paris, France, France, is Actor, Writer, Soundtrack. Another in the long line of dramatically handsome foreign imports who made an immediate impact on WWII Hollywood was debonair French actor Jean-Pierre Aumont. The epitome of grace and sophistication, the stylish leading man went on to have a long and respectful career on stage, film and TV, both here and abroad.Aumont was born Jean-Pierre Philippe Salomons on January 5, 1911 (some sources list 1909) in Paris, France, to Suzanne (Cahen), an actress, and Alexandre Abraham Salomons, a well-to-do department store executive. His brother, François Villiers (né Francois Salomons), went on to become a film writer/director. His father was a Dutch Jew and his mother was from a French Jewish family; he was of both Ashkenazi and Sephardi ancestry. Jean-Pierre was transferred from various prep schools before enrolling at the Paris Conservatory of Dramatic Art at the age of 16. Run by the renowned Louis Jouvet, young Aumont's first two film roles were prime roles in Jean de la Lune (1931) and Échec et mat (1931). He then went on to appear strongly in a number of Gallic films. He also made an impressive theater debut playing the role of Oedipus in Jean Cocteau's "La Machine Infernale" at the Comedie Champs-Elysees in 1934, which set up a long and lucrative tenure on the stage. Splitting his time between live performances and film-making opposite such lovelies as Simone Simon, Danielle Darrieux and Annabella), Aumont served with the French Third Mechanized Division for nearly a year (1939-1940) and earned a medal of distinction for his valour (Croix de Guerre). Two of his finest screen roles came just prior to this: 'Marcel Carne''s farcical comedy Drôle de drame (1937) starring mentor Louis Jouvet, and the romantic drama Hôtel du Nord (1938) opposite the lovely Annabella and co-starring Jouvet again.Aumont arrived in America barely speaking English in 1942 and only a few days later was "discovered" by stage legend Katharine Cornell, making his American debut in her production of "Rose Burke". During the play's Los Angeles engagement, he was signed by MGM for films and made a noticeable debut as Captain Pierre Matard in the espionage war picture Assignment in Brittany (1943) co-starring the tragic Susan Peters. Classily promoted as an up-and-coming Jean Gabin, the lithe, handsome, blue-eyed blond captured the admiration of the American public with his Charles Boyer-like charm and charisma. His second American film was the equally successful The Cross of Lorraine (1943), a dramatic Stalag 17-like story of French POW's held in a German war camp.The lovely Technicolor siren Maria Montez, known for her popular (and campy) WWII escapism films at Universal, quickly caught his eye and the couple married in 1943 after only a three-month courtship. An earlier marriage to French's Blanche Montel had ended in divorce in 1940, well before his arrival in America. Aumont again interrupted his burgeoning acting career by serving with the Free French forces in North Africa and was again awarded a medal (Legion of Honor) for his bravery. He was twice wounded during his active years of service.The French actor returned to Hollywood films after the war co-starring with Ginger Rogers in the comedy Heartbeat (1946) and appearing as composer Nikolai Rimsky-Korsakov in Universal's Song of Scheherazade (1947). The reception to both were lukewarm and Aumont decided to return to France with his wife (whose career was now in decline), and his daughter (who was born in 1946 and grew up to become the actress Tina Aumont). Seeking to rediscover his earlier glory in European films and the theatre, he also began writing plays. Now and then he would return to the American soil and appeared on Broadway in 1949 with his work "Figure of a Girl," which was retitled "My Name Is Aquilon" by the time it arrived on the Great White Way. While it co-starred the embraceable Lilli Palmer, who was also making her Broadway debut, the play itself was not as embraced.On the international film scene, Aumont appeared with wife Maria in such uninspired offerings as the United Artist escapist fare Siren of Atlantis (1949), the French crime drama Hans le marin (1949) [Wicked City] and the Italian adventure La vendetta del corsaro (1951)_ [The Revenge of the Pirates], the last-mentioned proving to be the last for the fetching Ms. Montez. The 39-year-old star tragically drowned in September of 1951 after her hot mineral salt bath triggered a heart seizure.After a period of grieving, Aumont continued transcontinentally, but rather unspectacularly, with acting parts that seemed hardly challenging. He cavorted with Paulette Goddard in the mediocre action adventure Charge of the Lancers (1954); appeared among an international cast in the spectacle Napoléon (1955); co-starred rather stiffly opposite Jean Simmons in the glossy "sudspenser" Hilda Crane (1956); was overshadowed by Eleanor Parker, who paled next to Garbo in the remake of Garbo's "The Painted Veil" entitled The Seventh Sin (1957); and, played a cameo as the doomed Louis XVI in the US-based John Paul Jones (1959) co-starring wife Marisa. On a more positive note, he, Mel Ferrer and the ever-enchanting Leslie Caron were wonderful in MGM's touching musical Lili (1953). Aumont also fared much better in his 1950s televised appearances of classic works, notably "Arms and the Man" and "Crime and Punishment".Following a torrid 1955 romance with Grace Kelly (whom, as we all know, went on to marry her Prince), the actor met and married lovely Italian actress Marisa Pavan, the sister of the late Pier Angeli, in 1956, and had two sons, Jean-Claude and Patrick, by her. Troubled by his erratic output and the uneventful film roles offered, which included those in The Enemy General (1960), The Devil at 4 O'Clock (1961) and Le couteau dans la plaie (1962) [Five Miles to Midnight], Aumont wisely refocused on the theatre and his playwriting skills. Stage performances included "The Heavenly Twins" and "A Second String" (both on Broadway), the title role in "The Affairs of Anatol", "Murderous Angels" and appearances in the musicals "Tovarich" with Vivien Leigh (on Broadway), "Jacques Brel Is Alive and Well and Living in Paris," "South Pacific" (as the debonair Emile DeBecque), and "Gigi" with wife Marisa. The couple also went on to form a warmly-received nightclub act in New York.For the remainder of his career, Aumont remained the ever-charming and worldly continental, vacillating between the stage ("Camino Real," "Private Lives," "The Sound of Music" and "Tiger at the Gates"); international films (Castle Keep (1969), Catherine et Cie (1975), Mahogany (1975), Nana (1983), Sweet Country (1987), Becoming Colette (1991) and a pair of Merchant/Ivory films Jefferson in Paris (1995) and The Proprietor (1996)): and classy TV fare (The Memory of Eva Ryker (1980), Great Performances: Melba (1988), A Tale of Two Cities (1989)). Some of the actor's finest movie roles in years occurred in the 1970s with the excellent La nuit américaine (1973) [Day for Night] and Le chat et la souris (1975) [Cat and Mouse].The distinguished actor/playwright went awardless throughout his cinematic career but this glaring oversight was finally rectified in the form of the cross of Commandeur des Arts et des Lettres in 1991 and an honorary César Award in 1992. He died in his native country of a heart attack a few weeks after his 90th birthday in 2001.
Jean-Pierre Aumont is a member of Actor

Age, Biography and Wiki

Who is it? Actor, Writer, Soundtrack
Birth Day January 05, 1911
Birth Place  Paris, France, France
Died On 30 January 2001(2001-01-30) (aged 90)\nGassin, France
Birth Sign Aquarius
Occupation Actor
Years active 1931–1996
Spouse(s) Blanche Montel (1938–1940; divorced) Maria Montez (1943–1951; her death; 1 child) Marisa Pavan (1956–2001; his death; 2 children)

💰 Net worth: $10 Million

Some Jean-Pierre Aumont images



Aumont was born Jean-Pierre Philippe Salomons in Paris, the son of Suzanne (née Cahen; 1885–1940), an Actress, and Alex Andre Salomons, owner of La Maison du Blanc (a linen department store). His mother's uncle was well-known stage actor George Berr (died 1942). His father was from a Dutch Jewish family; his mother's family were French Jews. Aumont's younger brother was the noted French film Director François Villiers. Aumont began studying drama at the Paris Conservatory at age 16; his mother had also studied there. His professional stage debut occurred at the age of 19. His film debut came one year later, when Jean de la Lune (Jean of the Moon) was produced in 1931.


However, his most important, career-defining role came in 1934, when Jean Cocteau's play, La Machine infernale (The Infernal Machine), was staged. While his film and stage career began rising quickly, World War II broke out. Aumont remained in France until 1942, when he realized that as a Jew he would have to flee the Nazis. He migrated from the unoccupied zone of France Vichy, to New York City, then to Hollywood to pursue his film career. He began working with MGM; however, after finishing The Cross of Lorraine, he joined the Free French Forces. He was sent to North Africa, where he participated in Operation Torch in Tunisia. He moved with the Allied armies through Italy and France. During the war, he was wounded twice. The first was on a mission with his brother; the second was more serious. Aumont's Jeep was blown up near a land-mined bridge. General Diego Brosset, commander of the 1st Free French Division, to whom Aumont was aide de camp, was killed. For his bravery during the fighting, Aumont received the Legion d'Honneur and the Croix de Guerre.


After the war, Aumont quickly resumed his movie career, starring opposite Ginger Rogers in Heartbeat (1946), and as the Magician in the classic film Lili (1953) with Leslie Caron, among many other roles. He worked with a number of prominent Directors and stars, including his (then) wife Maria Montez. In the mid-1950s, Aumont began working in the new medium of television, appearing on several anthology programs, such as "Robert Montgomery Presents" and as a guest on the show What's My Line?. In the 1960s and 1970s, he appeared in various theater productions, including the musicals Tovarich with Vivien Leigh, Jacques Brel Is Alive and Well and Living in Paris, South Pacific, and Gigi.


Aumont was married four times to three women. His first wife was French Actress Blanche Montel, to whom he was married for two years (1938-1940), ultimately divorcing. While in Hollywood, Aumont married Maria Montez, a Dominican Actress. She was known as the Queen of Technicolor, and their marriage was very happy. However, Montez drowned in her bathtub on 7 September 1951 after suffering an apparent heart attack at the family's Suresnes villa. Montez and Aumont had one child, a daughter, Tina (1946 – 2006).


In 1956, Aumont married Italian Actress Marisa Pavan. The couple starred in one film together, John Paul Jones (1959), in which Pavan played the romantic interest of the lead, while Aumont appears as King Louis XVI. They divorced, but later remarried and remained together until his death. Aumont and Pavan had two sons, Jean-Claude and Patrick.


One of his last acting performances was in A Tale of Two Cities (1989). Two years later, in 1991, aged 80, he received an honorary César Award as well as being decorated with the cross of Commandeur des Arts et des Lettres.


Jean-Pierre Aumont died in 2001 of a heart attack in Gassin, France, aged 90, and was cremated.