Jacopo Amigoni Net Worth

Jacopo Amigoni was an 18th century Venetian painter best known for his religious and mythological paintings. His works combined the influences of Sebastiano Ricci, French Rococo and Tiepolo, and he was one of the iconic Rococo artists of his time. He began his career in Venice, but became more productive during his travels throughout Europe. He painted mythological and religious scenes, as well as portraits and decorative cycles, although he did not enjoy them. His works are still admired today for their dreamy, sensuous depictions of gods and goddesses.
Jacopo Amigoni is a member of Painters

Age, Biography and Wiki

Who is it? Painter
Birth Year 1682
Birth Place Venice, Italian
Age 337 YEARS OLD
Died On 1752
Birth Sign Virgo
Known for Painting

💰 Net worth

Jacopo Amigoni, recognized as a prominent Italian painter, is anticipated to have a net worth ranging from $100K to $1M in 2024. Amigoni's remarkable talent and artistic skills have contributed significantly to his financial success and recognition in the art world. Renowned for his impeccable technique and exquisite detail, Amigoni has left an indelible mark on the art scene. With his innovative approach and mastery of various artistic styles, it is no surprise that he has achieved substantial wealth and acclaim throughout his career.

Some Jacopo Amigoni images

Biography/Timeline

1717

Starting in 1717, he is documented as working in Bavaria in the Castle of Nymphenburg (1719); in the castle of Schleissheim (1725–1729); and in the Benedictine abbey of Ottobeuren. He returned to Venice in 1726. His Arraignment of Paris hangs in the Villa Pisani at Stra. From 1730 to 1739 he worked in England, in Pown House, Moor Park Wolterton Hall and in the Theatre of Covent Garden. From there, he helped convince Canaletto to travel to England by telling him of the ample patronage available.

1736

From his travel to Paris in 1736, he met the celebrated castrato Farinelli. Later in Madrid, he was to paint a self-portrait with the singer and entourage. He also encountered the painting of François Lemoyne and Boucher.

1739

In 1739 he returned to Italy, perhaps to Naples and surely to Montecassino, in whose Abbey existed two canvases (destroyed during World War II). Until 1747, he travelled to Venice to paint for Sigismund Streit, for the Casa Savoia and other buildings of the city. In 1747 he left Italy and established himself in Madrid. There he became court Painter to Ferdinand VI of Spain and Director of the Royal Academy of Saint Fernando. He died in Madrid.

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