Gladys Cooper

About Gladys Cooper

Who is it?: Actress, Soundtrack
Birth Day: December 18, 1888
Birth Place:  Lewisham, London, England, United Kingdom
Died On: 17 November 1971(1971-11-17) (aged 82)\nHenley-on-Thames, Oxfordshire, England
Birth Sign: Capricorn
Occupation: Actress
Years active: 1905–71

Gladys Cooper Net Worth

Gladys Cooper was bornon December 18, 1888 in  Lewisham, London, England, United Kingdom, is Actress, Soundtrack. Gladys Cooper was the daughter of journalist William Frederick Cooper and his wife Mabel Barnett. As a child she was very striking and was used as a photographic model beginning at six years old. She wanted to become an actress and started on that road in 1905 after being discovered by Seymour Hicks to tour with his company in "Bluebell in Fairyland". She came to the London stage in 1906 in "The Belle of Mayfair", and in 1907 took a departure from the legitimate stage to become a member of Frank Curzon's famous Gaiety Girls chorus entertainments at The Gaiety theater. Her more concerted stage work began in 1911 in a production of Oscar Wilde's comedy "The Importance of Being Ernest" which was followed quickly with other roles. From the craze for post cards with photos of actors - that ensued between about 1890 and 1914 - Cooper became a popular subject of maidenly beauty with scenes as Juliet and many others. During World War I her popularity grew into something of pin-up fad for the British military.In the meantime she sampled the early British silent film industry starting in 1913 with The Eleventh Commandment (1913). She had roles in a few other movies in 1916 and 1917. But in the latter year she joined Frank Curzon to co-manage the Playhouse Theatre. This was a decidedly new direction for a woman of the period. She took sole control from 1927 until other stage commitments in 1933. She was also doing plays, some producing of her own, and a few more films in the early 1920s. It was actually about this time that she achieved major stage actress success. She appeared in W. Somerset Maugham's "Home and Beauty" in London in 1919 and triumphed in her 1922 appearance in Arthur Wing Pinero's "The Second Mrs. Tanqueray". It was ironic that writer Aldous Huxley criticized her performance in "Home and Beauty" as "too impassive, too statuesque, playing all the time as if she were Galatea, newly unpetrified and still unused to the ways of the living world." On the other hand, Maugham himself applauded her for "turning herself from an indifferent actress (at the start of her career) to an extremely competent one". She also debuted the role of Leslie Crosbie (the Bette Davis role in the 1940 film) in Maugham's "The Letter" in 1927.In 1934 Cooper made her first sound picture in the UK and came to Broadway with "The Shining Hour" which she had been doing in London. She and it were a success, and she followed it with several plays through 1938, including "MacBeth". About this time Hollywood scouts caught wind of her, and she began her 30 odd years in American film. That first film was also Alfred Hitchcock's first Hollywood directorial effort, Rebecca (1940). Her's was a small and light role as Laurence Olivier's gregarious sister, but she stood out all the same. Two years later she bit into the much more substantial role as Bette Davis' domineering and repressive mother in the classic Now, Voyager (1942) for which she received a well deserved Oscar nomination for Best Supporting Actress - the first of three. Though aristocratic elderly ladies was a role she revisited in various guises, Cooper was very busy through 1940s Hollywood.She returned to London stage work from 1947 and stayed for some early episodic British TV into 1950 before once again returning to the US, but was busy on both sides of the Atlantic until her passing. Through the 1950s and into the 1960s Cooper did a few films but was an especially familiar face on American TV in teleplays, a wide range of prime time episodic shows, and popular weird/sci-fi series: several Alfred Hitchcock Presents, Twilight Zone, and Outer Limits. When Enid Bagnold's "The Chalk Garden" opened in London in 1955, Cooper debuted as Mrs. St. Maugham and brought it to Broadway in October of that year where it ran through March of 1956. Her last major film was My Fair Lady (1964) as Henry Higgins' mother. The year before she had played the part on TV. In the film, the portrait prop of a fine lady over Higgins' fireplace is that of Cooper painted in 1922. She wrote an autobiography (1931) followed by two biographies (1953 and 1979). In 1967 she was honored as a Dame Commander of the Order of British Empire (DBE) for her great accomplishments in furthering acting.
Gladys Cooper is a member of Actress

💰 Net worth: $7 Million

Some Gladys Cooper images

Biography/Timeline

1844

Cooper was born at 23 Ennersdale Road, Hither Green, Lewisham, London, the eldest of the three daughters of Charles william Frederick Cooper (1844–1939) by his marriage to Mabel Barnett (1861–1944). Her two younger sisters were Doris Mabel (1891–1987) and Grace Muriel (1893–1982). Gladys Cooper spent most of her childhood in Chiswick, where her family moved when she was an infant.

1905

She made her stage debut in 1905 touring with Seymour Hicks in his musical Bluebell in Fairyland. The young beauty was also a popular photographic model. In 1906, she appeared as Lady Swan in London in The Belle of Mayfair and then in the pantomime Babes in the Wood as Mavis. The following year she became a chorus girl at the Gaiety Theatre, creating the small role of Eva in The Girls of Gottenberg. That Christmas, she was Molly in Babes in the Wood. In 1908, she appeared in the musical Havana followed, the next year, by Our Miss Gibbs, in which she played Lady Connie; she was then on tour again with Hicks, in Papa's Wife, before playing Sadie von Tromp in the hit operetta The Dollar Princess at Daly's Theatre in 1909. In 1911, she appeared in a production of The Importance of Being Earnest and in Man and Superman. Among several other plays, the next year she was Muriel Pym in Milestones at the Royalty Theatre. A highlight of 1913 was Dora in Diplomacy at Wyndham's Theatre. That year she also played the title role in The Pursuit of Pamela at the Royalty.

1913

In 1913 Cooper appeared in her first film, The Eleventh Commandment, going on to make several more silent films during the First World War and shortly afterwards. She continued full-time stage work, however, including appearances as Lady Agatha Lazenby in The Admirable Crichton in 1916 and Clara de Foenix in Trelawny of the Wells. In addition, in 1917, Cooper became co-manager, with Frank Curzon, of the Playhouse Theatre, taking over sole control from 1927 until she left in 1933. During these years, she starred several times in My Lady's Dress. She appeared in W. Somerset Maugham's Home and Beauty in 1919, repeated Dora at His Majesty's Theatre in 1920 and elsewhere thereafter, and played numerous roles at the Playhouse Theatre.

1917

Beginning on the stage as a teenager in Edwardian musical comedy and pantomime, she was starring in dramatic roles and silent films before the beginning of the First World War. She also became a manager of the Playhouse Theatre from 1917 to 1933, where she played many roles. Beginning in the early 1920s, Cooper was winning praise in plays by W. Somerset Maugham and others.

1922

It was not until 1922, however, now in her mid thirties, that she found major critical success, in Arthur Wing Pinero's The Second Mrs. Tanqueray. Early in her stage career, she was criticised for being too stiff. Aldous Huxley dismissed her performance in Home and Beauty, writing "she is too impassive, too statuesque, playing all the time as if she were Galatea, newly unpetrified and still unused to the ways of the living world." Evidently, her acting improved during this period, as Maugham praised her for "turning herself from an indifferent Actress to an extremely competent one" through her Common sense and industriousness. For both the 1923 and 1924 Christmas shows at the Adelphi Theatre, Cooper played the title character in Peter Pan, while also playing several other roles at that theatre during those two years. She appeared in Maugham's The Letter in London and on tour in 1927 and 1928, in Excelsior (adapted from "L'Ecole des Cocottes" by H.M. Harwood) in 1928, and in Maugham's The Sacred Flame in 1929, also in London and on tour.

1930

Among other roles, Cooper was Clemency Warlock in Cynara (1930), Wanda Heriot in The Pelican (1931), Lucy Haydon in Dr Pygmalion (1932), Carola in The Firebird (1932), Jane Claydon in The Rats of Norway (1933), Mariella Linden in The Shining Hour in 1934 and 1935, in London and New York City and on tour (at the same time making her first "talkie" film, The Iron Duke), also playing Desdemona and Lady Macbeth on Broadway in 1935. She was Dorothy Hilton in Call it a Day, again in both London and New York, from 1935 to 1936. A highlight of 1937 was Laura Lorimer in Goodbye to Yesterday in London and on tour. In 1938, she played Tiny Fox-Collier in Spring Meeting in New York, Montreal and Britain, as well as several Shakespeare roles and Fran Dodsworth in Dodsworth. She repeated Spring Meeting in 1939.

1940

Her only stage roles in the 1940s were Mrs. Parrilow in The Morning Star in Philadelphia and New York (1942) and Melanie Aspen in The Indifferent Shepherd in Britain (1948). She returned to theatre (between films) more often in the 1950s and 1960s, playing in London and on tour in such roles as Edith Fenton in The Hat Trick (1950); Felicity, Countess of Marshwood, in Relative Values (1951 and 1953); Grace Smith in A Question of Fact (1953); Lady Yarmouth in The Night of the Ball (1954); Mrs. St. Maugham in The Chalk Garden (1955–56), Dame Mildred in The Bright One (1958); Mrs. Vincent in Look on Tempests (1960); Mrs. Gantry (Bobby) in The Bird of Time (1961); Mrs. Moore in a stage adaptation of A Passage to India (1962); Mrs Tabret in The Sacred Flame (1966 and 1967); Prue Salter in Let's All Go Down the Strand (1967); Emma Littlewood in Out of the Question (1968); Lydia in His, Hers and Theirs (1969); and others. She received two nominations for the Tony Award for Best Actress in a Play, for her roles in The Chalk Garden and A Passage to India.

1963

She also had various television roles in the 1950s and '60s. These included, among others, three episodes of The Twilight Zone. In the first, titled "Nothing in the Dark" (1962), she played an old lady who refuses to leave her flat for fear of meeting 'Death'. A young policeman (Robert Redford) is shot at her doorstep and persuades her to let him inside. Her second appearance was in "Passage on the Lady Anne", which aired on 9 May 1963. Her final episode was the 1964 "Night Call", where she portrayed a difficult, lonely old lady who is besieged by late-night phone calls. Cooper starred in the 1964–65 series The Rogues with David Niven, Charles Boyer, Gig Young, Robert Coote, John Williams and Larry Hagman. The series lasted a single season of thirty episodes, most of which featured Cooper as the matriarch of a crime family.

1967

In 1967, at the age of 79, she was appointed a Dame Commander of the Order of the British Empire (DBE). Her last major success on the stage was at age 82, in 1970–71 in the role of Mrs. St. Maugham in Enid Bagnold's The Chalk Garden, a role she had created on Broadway and in the West End in 1955–56.