Del Close Net Worth

Del Close was born on March 09, 1934 in  Manhattan, Kansas, United States, is Actor, Miscellaneous Crew, Director. Del Close played "Polonious" once in "Hamlet", and won a Joseph Jefferson Award for it. But the role he really wanted to play was "Yorick". He had to die to do it, but now he may get his wish. Under the terms of his will, Close, who died March 4, 1999, has left his skull to the Goodman Theatre.Del Close was born and raised in Manhattan, Kansas, and attended Kansas State University, after touring with a sideshow act for a period of time in his teenage years. In 1957, at the age of 23, he became a member of the St. Louis branch of "The Compass Players", the direct precursor of "The Second City", which opened in December, 1959. Most of the St. Louis cast went to Chicago, but Close chose New York and a budding career as a hip, young stand-up comic in competition with Lenny Bruce, George Carlin, Bob Newhart, etc. That same year, he also appeared in the off-Broadway musical, "The Nervous Set", of which an original cast album exists. Close came to Chicago in 1960 and, more or less, made it his home for the rest of his life, always gravitating back there after a few months or even years elsewhere. Perhaps he understood instinctively the advice Paul Sills gave Stuart Gordon some years later: "Come to Chicago", they Close directed and performed at "The Second City", until he was fired (major substance abuse problems) in 1965.He spent the next five years in San Francisco eating acid and touring with the "Merry Pranksters" on their famous psychedelic bus, creating light images for Grateful Dead, and working with The Committee, a North Beach equivalent of "Second City", which Close helped organize. It was at "The Committee" that he first began seriously to develop his ideas and techniques of long-form improvisation, although "Second City" had experimented with long-form as early as 1962. Close returned to Chicago in 1970 and set up a free, open-to-all workshop at the Kingston Mines Company Store, the café attached to the Kingston Mines Theatre Company on Lincoln Avenue (where the parking garage of Children's Memorial Medical Center now stands). He drilled his students -- everyone from acid-dropping love children to a vice-president of the Foote, Cone and Belding advertising agency -- in the basic principals of improv and theatre games, and in the specifics of "The Harold", a long-form improv technique developed by Close. At a time when most improvisation mainly focused on creating single scenes, Del devised "The Harold" as something not unlike a sonata form. Several themes would be established, a community of characters would be introduced, and then the resulting scenes would play off each other in comedic counterpoint -- characters from one environment moving to another and phrases and images recurring, each time accruing new meaning. Going to this from conventional sketches was like going from arithmetic to calculus. (Why was it called "The Harold"? When he introduced it, one of his students said, "Del, you've invented something, you get to name it". Del said, "Well, the Beatles called their haircut "Arthur", so I'll call this Harold". He later regretted the flipness. "Probably my most significant contribution and it's got that stupid name").The weekly public performances at Kingston Mines sometimes had as many as 20 performers participating. After a few months, Close hand-picked a dozen of his best, and moved operations down the block to the Body Politic for twice-weekly workshops and Sunday night performances. He named the company "The Chicago Extension Improv Company", as an extension of his San Francisco work. The best-known players to emerge from the troupe were "Broadway" Betty Thomas, Dan Ziskie, Brian Hickey and Jonathan Abarbanel.Before leaving Chicago, again, in 1972 to perform for Paul Sills in a Story Theatre production at the Mark Taper Forum in LA, Close and "The Chicago Extension" had begun to explore scenario improvs based on dreams. The techniques the "Extension" developed after Close left became Dream Theatre, which continued at the Body Politic over the next five years, although with different personnel. Close returned to Chicago in 1973 as resident director at "The Second City", a position he kept until 1982. It was during this decade that he taught and directed a long list of TV and film comedy greats, including John Belushi, Bill Murray, John Candy, Don DePollo, George Wendt, Audrie Neenan, Eugenie Ross-Leming, David Rasche, Shelley Long, Ann Ryerson, etc.Upon leaving the troupe, Close pursued legitimate acting opportunities with a number of theatres, including Wisdom Bridge, Remains, Goodman and Steppenwolf. He won his Joseph Jefferson Award in 1985 in a radical "Hamlet", directed by Robert Falls at Wisdom Bridge. Close also did TV and film work, appearing in The Untouchables (1987) and Ferris Bueller's Day Off (1986), among others. It was during this period that Close finally beat his long heroin addiction (although he continued to smoke cigarettes and marijuana), in part truly shocked by the excesses and death of John Belushi, and, in part, because, as he told Jonathan Abarbanel, "I've decided I want to live".Close was enjoying his new theatrical vistas, as well as a successful professional partnership with Charna Halpern and ImprovOlympic, which allowed him to concentrate on further development of "The Harold", and on team improv. Close was 64 when he died of complications due to emphysema the evening of March 4, 1999, just five days shy of his birthday. He left no survivors, although he claimed to have fathered an illegitimate child by a woman in Minneapolis sometime in the late 1950s. His body was cremated, as he wished. His skull is expected to be given to the Goodman Theatre to await the company's next "Hamlet". Close was one of three titans of improvisational theatre who put it on the map, refined it, and turned it into the fixture of comedic and acting technique which it has become. The first was Viola Spolin, who started the work in the 1930s with her development of theatre games -- originally for children -- as exercises in imagination. She didn't utilize them for public performance. It was her son, Paul Sills, who was able to take theatre games and use them as the basis for development of satirical revue comedy. Sills and a group of brilliant cohorts, including Mike Nichols, Elaine May, Shelley Berman, Sheldon Patinkin and others made this work the focus of various company experiments in the mid-1950s, including the Compass Players in Chicago and St. Louis. In 1959, The Second City opened, co-founded by Sills, Howard Alk and Bernard Sahlins. Close arrived on the scene a year later. Within three years, both Sills and Alk had left the troupe to pursue other ventures. Alk continued to work in the improv field, but died young. Sills has retained improv and theatre games within his artistic repertory -- it is part of the basis of his Story Theatre -- but has not devoted his career to it. Close, then, became the third titan of improvisation after Spolin and Sills, and the only one to devote his artistic life and best theoretical thinking to it. He fully understood pain and suffering as a basis for comedy, as well as the nature and limitations of the comedic form. The Harold, the scenario, long-form improv -- call it what you will -- is his personal legacy to the field; while his own boundless, sometimes manic drive as a charismatic teacher and director have done more to establish improvisational theatre around the world than anything or anyone else. The explosion of improv troupes and teams and classes (the Museum of Contemporary Art offers an improv class, for example), and the inclusion of theatre games and improv exercises in standard acting curricula, are the result of the work of Spolin and Sills and Close. With specific regard to long-form improv and Close's own contribution, that legacy will grow even greater through the next generation, as his students and acolytes inherit the world of comedy.
Del Close is a member of Actor

Age, Biography and Wiki

Who is it? Actor, Miscellaneous Crew, Director
Birth Day March 09, 1934
Birth Place  Manhattan, Kansas, United States
Died On March 4, 1999(1999-03-04) (aged 64)\nChicago, Illinois, U.S.
Birth Sign Aries
Occupation Actor, writer, teacher
Years active 1960–1999

💰 Net worth: Under Review

Some Del Close images



Close was born on March 9, 1934 in Manhattan, Kansas, the son of an inattentive alcoholic father. He ran away from home at the age of 17 to work in a traveling side show, but returned to attend Kansas State University. At age 19 he performed in summer stock with the Belfry Players at Lake Geneva, Wisconsin. At age 23 he became a member of the Compass Players in St. Louis. When most of the cast—including Mike Nichols and Elaine May—moved to New York City, Close followed. He developed a stand-up comedy act, appeared in the Broadway musical revue The Nervous Set, and performed briefly with an improv company in Greenwich Village with fellow Compass alumni Mark and Barbara Gordon. Close also worked with John Brent to record the classic beatnik satire album How to Speak Hip, a parody of language-learning tools that purported to teach listeners the secret language of the "hipster".


In 1960 Close moved to Chicago, his home base for much of the rest of his life, to perform and direct at Second City, but was fired due to substance abuse. He spent the latter half of the 1960s in San Francisco where he was the house Director of improv ensemble The Committee, featuring performers such as Gary Goodrow, Carl Gottlieb, Morgan Upton, Peter Bonerz, Howard Hesseman and Larry Hankin. He toured with the Merry Pranksters, and created light images for Grateful Dead shows. In 1972 he returned to Chicago, and to Second City. He also directed and performed for Second City's troupe in Toronto, in 1977. Over the next decade he coached many popular comedians. In the early 1980s he served as "house metaphysician" at Saturday Night Live; for many years, a significant percentage of the show's cast were Close protégés. He spent the mid-to-late 1980s and 1990s teaching improv, collaborating with Charna Halpern at Yes And Productions and the ImprovOlympic Theater with Compass Players Producer David Shepherd.


Bill Murray organized an early 65th birthday party and wake, shortly before Del's anticipated death, memorialized in a two-part video.


Close is featured in an extensive interview in Something Wonderful Right Away, a book about the members of the Compass Players and Second City written by Jeffrey Sweet. Originally published in 1978 by Avon, it is currently available from Limelight Editions.


From 1987 to 1989, Del Close wrote anthology-style horror stories in a DC Comics comic book titled Wasteland. Several of the stories are allegedly autobiographical; one recounts Close's experiences while filming Beware! The Blob (1972), another recalls an encounter with Writer L. Ron Hubbard.


Close died of emphysema on March 4, 1999, at the Illinois Masonic Hospital (now the Advocate Illinois Masonic Medical Center) in Chicago, five days before his 65th birthday. He bequeathed his skull to Chicago's Goodman Theatre to be used in its productions of Hamlet, and specified that he be duly credited in the program as portraying Yorick. Charna Halpern, Close's long-time professional partner and the executor of his will, donated a skull—purportedly Close's—to the Goodman in a high-profile televised ceremony on July 1, 1999. A front-page article in the Chicago Tribune in July 2006 questioned the authenticity of the skull, citing the presence of dentition (Close was edentulous at the time of his death) and autopsy marks (Close was not autopsied), among other problems. Halpern stood by her story at the time, but admitted in a New Yorker interview three months later that she had purchased the skull from a local medical supply company.


In 2002, Cesar Jaime and Jeff Pacocha produced and directed a film composed of interviews with former students, friends, and collaborators of Del Close. The film documented not only Del's life and history, but the impact he had on the people in his life and the art form he helped to create. It is not sold on DVD and was made as a thank you and a tribute to Del, "as a way to allow those that never got to meet or study with him, a chance to understand what he was like."


In 2004, writer/comedian R. O'Donnell wrote a feature entitled My Summer With Del published for Stop Smiling Magazine's Comedian Issue #17. It was an account of O'Donnell's visits at Del’s Chicago apartment as well as recounting highlights of their time spent at CrossCurrents, the theater that housed both their comedy groups.


In 2005, Jeff Griggs published Guru, a book detailing his friendship with Close during the last two years of his life. Due to Close’s poor health (in part caused by long-term alcohol and drug use), Halpern suggested that Griggs run errands with Close. Guru gives a particularly detailed and complete picture of Close based on those shared hours. At the beginning of their relationship, Griggs was a student of Del’s, and the book includes several chapters in which Griggs depicts Close as a Teacher.


The book has been adapted into a screenplay, and as of 2006 Harold Ramis was attached to direct the script. Ramis (who died in 2014) wanted Bill Murray to play Close.


In 2007, Eric Spitznagel wrote an article in the September issue of The Believer magazine reflecting on Close's life and his propensity for story-telling.


In 2008, Kim "Howard" Johnson's full-length biography of Close, The Funniest One in the Room: The Lives and Legends of Del Close was published. Johnson himself was a student of Close, and remained friends with Close until his death.