| Who is it? | Actress, Soundtrack, Music Department |
| Birth Day | June 25, 1890 |
| Birth Place | Philadelphia, Pennsylvania, United States |
| Charlotte Greenwood age | 129 YEARS OLD |
| Died On | December 28, 1977(1977-12-28) (aged 87)\nLos Angeles, California, U.S. |
| Birth Sign | Cancer |
| Occupation | Actress, dancer |
| Years active | 1915–61 |
| Spouse(s) | Cyril Ring (1915–22; divorced) Martin Broones (1924–71; his death) |
Charlotte Greenwood is a highly talented and multifaceted artist, known for her remarkable contributions to the entertainment industry. With a diverse range of skills as an actress, soundtrack artist, and music department professional, she has captivated audiences across the United States. As a testament to her immense talent and hard work, Charlotte Greenwood's net worth is projected to reach an impressive estimate of $100,000 to $1,000,000 by 2024. With a career marked by success and acclaim, she continues to inspire and entertain audiences with her unparalleled skills and dedication.
In 1913, Oliver Morosco cast her as Queen Ann Soforth of Oogaboo late in the run of L. Frank Baum and Louis F. Gottschalk's The Tik-Tok Man of Oz (better known in its novelization as Tik-Tok of Oz). In 1916, Morosco commissioned a successful star vehicle stage play titled So Long Letty. In 1919 Morosco brought her back in the sequel Linger Longer Letty. This role made her a star; she reprised it in the 1929 movie of the same name.
Greenwood had her own radio program, The Charlotte Greenwood Show, a situation comedy. It was broadcast 1944-1946, first on ABC and later on NBC. She also was in "Home in Indiana" on Lux Radio Theatre October 2, 1944.
She appeared with such luminaries as Charles Ruggles, Betty Grable, Jimmy Durante, Eddie Cantor, Buster Keaton, and Carmen Miranda. Most of Greenwood's best work was done on the stage, and was lauded by such critics as James Agate, Alexander Woollcott, and Claudia Cassidy. One of her most successful roles was that of Juno in Cole Porter's Out of This World in which she introduced the Porter classic "I Sleep Easier Now". She had some discomforts with that play, as she had become a devout Christian Scientist and feared the play was too risqué. One of her last movie roles was singing and dancing as the feisty matriarch, Aunt Eller, in the film adaptation of Rodgers and Hammerstein's Oklahoma! (1955).
