Atticus Ross Net Worth

He is a composer, soundtrack artist, and music department professional. He is best known for his work on the soundtracks for films such as The Social Network, Gone Girl, and The Book of Eli. He has also composed music for video games such as Call of Duty: Modern Warfare 2 and The Last of Us. He has won multiple awards for his work, including an Academy Award, a Grammy Award, and a BAFTA Award.
Atticus Ross is a member of Soundtrack

Age, Biography and Wiki

Who is it? Soundtrack, Composer, Music Department
Birth Day January 16, 1968
Birth Place  England, United Kingdom
Atticus Ross age 56 YEARS OLD
Birth Sign Aquarius
Birth name Atticus Matthew Cowper Ross
Genres Post-industrial alternative rock dark ambient experimental electronica
Occupation(s) Singer Musician songwriter record producer audio engineer
Instruments Keyboards, synthesizer
Years active 1992–present
Associated acts Trent Reznor Nine Inch Nails How to Destroy Angels Error 12 Rounds Leopold Ross Bobby Krlic Harry Gregson-Williams Nick Ingman Korn

💰 Net worth

Atticus Ross, a renowned figure in the United Kingdom, is widely recognized for his exceptional work as a soundtrack composer and music department contributor. With an impressive portfolio spanning various projects, he has garnered substantial fame and acclaim. In 2024, it is estimated that Atticus Ross' net worth will range from $100K to $1M. This substantial financial success reflects his immense talent and the impact his work has had on the industry.

Some Atticus Ross images

Biography/Timeline

1990

Ross came to notice in the mid-1990s as a programmer for Tim Simenon's Bomb the Bass during the period of the albums Unknown Territory and Clear. He worked on a number of production and remix projects with Simenon, as well as forming a collaborative relationship with Barry Adamson. He programmed The Negro Inside Me and Oedipus Schmoedipus, and produced As Above So Below before forming his own band, 12 Rounds, with Claudia Sarne and Adam Holden. They released two albums, Jitterjuice and My Big Hero. A third full-length album was produced by Trent Reznor, but was ultimately never finished. Three songs from that album have since been released on the band's website.

2000

Since moving to the United States in 2000, Ross has been credited as a Producer and/or programmer on the Nine Inch Nails albums With Teeth, Year Zero, Ghosts I-IV (on which he was a co-writer), The Slip, and Hesitation Marks. He performed live with the band at the Wiltern. Beyond Nine Inch Nails, he has worked with Trent Reznor on other acts, including Saul Williams and Zack de la Rocha, and they co-produced tracks for a reformed Jane's Addiction with Alan Moulder in 2009.

2010

On 1 July 2010, Trent Reznor announced that he and Ross were scoring David Fincher's new film The Social Network. The Soundtrack was released on 28 September 2010 and was highly praised. On 16 January 2011, they won the award for Best Original Score at the 68th Golden Globe Awards for their score to The Social Network. On 27 February, they received the Academy Award Best Original Score for The Social Network. Ross and Reznor again collaborated on the Soundtrack to Fincher's 2011 film Girl With the Dragon Tattoo. In 2013, the pair won a Grammy Award for Best score Soundtrack for visual media for their Girl with the Dragon Tattoo Soundtrack.

2013

Ross was slated to work on the 2013 samurai epic 47 Ronin, directed by Carl Rinsch, but was soon replaced by Javier Navarrete. Ross and Reznor again teamed up with Fincher to score his 2014 film Gone Girl. In 2016, Ross and Reznor, along with Composer Gustavo Santaolalla and the band Mogwai, collaborated to create the score to the documentary film Before the Flood.

2017

On 25 June 2017 Ross, along with Trent Reznor, Mariqueen Maandig Reznor, Robin Finck, Joey Castillo, and Alessandro Cortini appeared as "The Nine Inch Nails" in Episode 8 of Twin Peaks: The Return on Showtime, performing an alternate live rendition of the song "She's Gone Away" which previously appeared on Nine Inch Nails' 2016 extended play Not the Actual Events.