|Who is it?||Sculptor & Photographer|
|Birth Day||July 25, 1956|
|Birth Place||Cheshire, England, British|
|Andy Goldsworthy age||67 YEARS OLD|
|Education||Bradford College of Art (1974–1975); Preston Polytechnic (now University of Central Lancashire) (1975–1978)|
|Known for||Sculpture; photography|
|Movement||Environmental art and land art|
|Awards||Scottish Arts Council Award (1987); honorary degree from the University of Bradford (1993); OBE (2000)|
Andy Goldsworthy, a renowned British sculptor and photographer, is anticipated to have an estimated net worth of $243.8 million by 2023. Goldsworthy has made significant contributions to the world of contemporary art with his captivating sculptures and thought-provoking photographs. His unique artistic approach often involves using natural materials found in the environment, such as leaves, stones, and ice. Goldsworthy's works seamlessly blend into their surroundings, showcasing the beauty and impermanence of nature. Throughout his career, he has gained international recognition and his masterpieces can be found in various art collections and outdoor installations worldwide. With such exceptional talent and widespread acclaim, it comes as no surprise that Goldsworthy has amassed significant wealth.
The son of F. Allin Goldsworthy (1929–2001), former professor of applied mathematics at the University of Leeds, Andy Goldsworthy was born in Cheshire and grew up on the Harrogate side of Leeds, in the West Riding of Yorkshire, in a house edging the green belt. From the age of 13 he worked on farms as a labourer. He has likened the repetitive quality of farm tasks to the routine of making sculpture: "A lot of my work is like picking potatoes; you have to get into the rhythm of it."
Goldsworthy studied fine art at Bradford College of Art (1974–75) and at Preston Polytechnic (1975–78) (now the University of Central Lancashire) in Preston, Lancashire, receiving his Bachelor of Arts (B.A.) degree from the latter.
In 1982, Goldsworthy married Judith Gregson. They had four children and settled in the village of Penpont in the region of Dumfries and Galloway, Dumfriesshire, in southwest Scotland. The couple later separated. He now lives there with his partner, Tina Fiske, an art Historian whom he met when she came to work with him a few years after he separated from his wife.
After leaving college, Goldsworthy lived in Yorkshire, Lancashire and Cumbria. In 1985, he moved to Langholm in Dumfries and Galloway, Dumfriesshire, Scotland, and a year later to Penpont. It has been said that his gradual drift northwards was "due to a way of life over which he did not have complete control", but that contributing factors were opportunities and desires to work in these areas and "reasons of economy".
In 1993, he received an honorary degree from the University of Bradford. He was an A.D. White Professor-At-Large in Sculpture at Cornell University 2000–6 and 2006–8.
Andy Goldsworthy is the subject of a 2001 documentary feature film called Rivers and Tides, directed by Thomas Riedelsheimer.
The materials used in Andy Goldsworthy's art often include brightly coloured flowers, icicles, leaves, mud, pinecones, snow, stone, twigs, and thorns. He has been quoted as saying, "I think it's incredibly brave to be working with flowers and leaves and petals. But I have to: I can't edit the materials I work with. My remit is to work with nature as a whole." Goldsworthy is generally considered the founder of modern rock balancing. For his ephemeral works, Goldsworthy often uses only his bare hands, teeth, and found tools to prepare and arrange the materials; however, for his permanent sculptures like "Roof", "Stone River" and "Three Cairns", "Moonlit Path" (Petworth, West Sussex, 2002) and "Chalk Stones" in the South Downs, near West Dean, West Sussex he has also employed the use of machine tools. To create "Roof", Goldsworthy worked with his assistant and five British dry-stone wallers, who were used to make sure the structure could withstand time and nature.
Photography plays a crucial role in his art due to its often ephemeral and transient state. According to Goldsworthy, "Each work grows, stays, decays – integral parts of a cycle which the photograph shows at its heights, marking the moment when the work is most alive. There is an intensity about a work at its peak that I hope is expressed in the image. Process and decay are implicit."