|Who is it?||Writer|
|Birth Day||April 16, 1844|
|Birth Place||Paris, France, French|
|Age||175 YEARS OLD|
|Died On||12 October 1924(1924-10-12) (aged 80)\nTours, French Third Republic|
|Notable awards||Nobel Prize in Literature 1921|
Anatole France began his literary career as a poet and a Journalist. In 1869, Le Parnasse Contemporain published one of his poems, "La Part de Madeleine". In 1875, he sat on the committee which was in charge of the third Parnasse Contemporain compilation. As a Journalist, from 1867, he wrote many articles and notices. He became famous with the novel Le Crime de Sylvestre Bonnard (1881). Its protagonist, skeptical old scholar Sylvester Bonnard, embodied France's own personality. The novel was praised for its elegant prose and won him a prize from the Académie française.
The son of a bookseller, France spent most of his life around books and was a bibliophile. His father's bookstore, called the Librairie France, specialized in books and papers on the French Revolution and was frequented by many notable Writers and scholars of the day. France studied at the Collège Stanislas, a private Catholic school, and after graduation he helped his father by working in his bookstore. After several years he secured the position of cataloguer at Bacheline-Deflorenne and at Lemerre. In 1876 he was appointed librarian for the French Senate.
In 1877, Anatole France married Valérie Guérin de Sauville, a granddaughter of Jean-Urbain Guérin a miniaturist who painted Louis XVI, with whom he had a daughter, Suzanne, in 1881 (dec. 1918). France's relations with women were always turbulent, and in 1888 he began a relationship with Madame Arman de Caillavet, who conducted a celebrated literary salon of the Third Republic; the affair lasted until shortly before her death in 1910. After his divorce in 1893, he had many liaisons, notably with Mme Gagey, who committed suicide in 1911. France married again in 1920, Emma Laprévotte.
France's later works include L'Île des Pingouins (Penguin Island, 1908) which satirizes human nature by depicting the transformation of penguins into humans – after the animals have been baptized by mistake by the nearsighted Abbot Mael. It is a satirical history of France, starting in Medieval times, going on to the writer's own time with special attention to the Dreyfus Affair and concluding with a dystopian Future. Les dieux ont soif (The Gods Are Athirst, 1912) is a novel, set in Paris during the French Revolution, about a true-believing follower of Maximilien Robespierre and his contribution to the bloody events of the Reign of Terror of 1793–94. It is a wake-up call against political and ideological fanaticism and explores various other philosophical approaches to the events of the time. La Revolte des Anges (Revolt of the Angels, 1914) is often considered Anatole France's most profound novel. Loosely based on the Christian understanding of the War in Heaven, it tells the story of Arcade, the guardian angel of Maurice d'Esparvieu. Arcade falls in love, joins the revolutionary movement of angels, and towards the end realizes that the overthrow of God is meaningless unless "in ourselves and in ourselves alone we attack and destroy Ialdabaoth."
He was awarded the Nobel Prize in 1921. He died in 1924 and is buried in the Neuilly-sur-Seine community cemetery near Paris.
On 31 May 1922, France's entire works were put on the Index Librorum Prohibitorum (Prohibited Books Index) of the Roman Catholic Church. He regarded this as a "distinction". This Index was abolished in 1966.
After his death in 1924 France was the object of written attacks, including a particularly venomous one from the Nazi collaborator Pierre Drieu La Rochelle, and detractors decided he was a vulgar and derivative Writer. An admirer, the English Writer George Orwell, defended him however and declared that he remained very readable, and that "it is unquestionable that he was attacked partly from political motive." Anatole France was also documented to have a brain size just three-quarters the average weight, and racial Anthropologist Arthur Keith argued that this correlated well with the fact that his life had demonstrated that he was in many ways "a primitive man".