Adolphe Menjou Net Worth

Adolphe Menjou was born on February 18, 1890 in  Pittsburgh, Pennsylvania, United States, is Actor, Soundtrack, Producer. The words "suave" and "debonair" became synonymous with the name Adolphe Menjou in Hollywood, both on- and off-camera. The epitome of knavish, continental charm and sartorial opulence, Menjou, complete with trademark waxy black mustache, evolved into one of Hollywood's most distinguished of artists and fashion plates, a tailor-made scene-stealer, if you will. What is often forgotten is that he was primed as a matinée idol back in the silent-film days. With hooded, slightly owlish eyes, a prominent nose and prematurely receding hairline, he was hardly competition for Rudolph Valentino, but he did possess the requisite demeanor to confidently pull off a roguish and magnetic man-about-town. Fluent in six languages, Menjou was nearly unrecognizable without some type of formal wear, and he went on to earn distinction as the nation's "best dressed man" nine times.Born on February 18, 1890, in Pittsburgh, Pennsylvania, he was christened Adolphe Jean Menjou, the elder son of a hotel manager. His Irish mother was a distant cousin of novelist / poet James Joyce ("Ulysses") (1882-1941). His French father, an émigré, eventually moved the family to Cleveland, where he operated a chain of restaurants. He disapproved of show business and sent an already piqued Adolphe to Culver Military Academy in Indiana in the hopes of dissuading him from such a seemingly reckless and disreputable career. From there Adolphe was enrolled at Stiles University prep school and then Cornell University. Instead of acquiescing to his father's demands and obtaining a engineering degree, however, he abruptly changed his major to liberal arts and began auditioning for college plays. He left Cornell in his third year in order to help his father manage a restaurant for a time during a family financial crisis. From there he left for New York and a life in the theater.Adolphe toiled as a laborer, a haberdasher and even a waiter in one of his father's restaurants during his salad days, which included some vaudeville work. Oddly enough, he never made it to Broadway but instead found extra and/or bit work for various film studios (Vitagraph, Edison, Biograph) starting in 1915. World War I interrupted his early career, and he served as a captain with the Ambulance Corps in France. After the war he found employment off-camera as a productions manager and unit manager. When the New York-based film industry moved west, so did Adolphe.Nothing of major significance happened for the fledgling actor until 1921, an absolute banner year for him. After six years of struggle he finally broke into the top ranks with substantial roles in The Faith Healer (1921) and Through the Back Door (1921), the latter starring Mary Pickford. He formed some very strong connections as a result and earned a Paramount contract in the process. Cast by Mary's then-husband Douglas Fairbanks as Louis XIII in the rousing silent The Three Musketeers (1921), he finished off the year portraying the influential writer/friend Raoul de Saint Hubert in Rudolph Valentino's classic The Sheik (1921).Firmly entrenched in the Hollywood lifestyle, it took little time for Menjou to establish his slick prototype as the urbane ladies' man and wealthy roué. Paramount, noticing how Menjou stole scenes from Charles Chaplin favorite Edna Purviance in Chaplin's A Woman of Paris: A Drama of Fate (1923), started capitalizing on Menjou's playboy image by casting him as various callous and creaseless matinée leads in such films as Broadway After Dark (1924), Sinners in Silk (1924), The Ace of Cads (1926), A Social Celebrity (1926) and A Gentleman of Paris (1927). His younger brother Henri Menjou, a minor actor, had a part in Adolphe's picture Blonde or Brunette (1927).The stock market crash led to the termination of Adolphe's Paramount contract, and his status as leading man ended with it. MGM took him on at half his Paramount salary and his fluency in such languages as French and Spanish kept him employed at the beginning. Rivaling Gary Cooper for the attentions of Marlene Dietrich in Morocco (1930) started the ball rolling for Menjou as a dressy second lead. Rarely placed in leads following this period, he managed his one and only Oscar nomination for "Best Actor" with his performance as editor Walter Burns in The Front Page (1931). Not initially cast in the role, he replaced Louis Wolheim, who died ten days into rehearsal. Quality parts in quality pictures became the norm for Adolphe during the 1930s, with outstanding roles given him in The Great Lover (1931), A Farewell to Arms (1932), Forbidden (1932), Little Miss Marker (1934), Morning Glory (1933), A Star Is Born (1937), Stage Door (1937) and Golden Boy (1939).The 1940s were not as golden, however. In addition to entertaining the troops overseas and making assorted broadcasts in a host of different languages, he did manage to get the slick and slimy Billy Flynn lawyer role opposite Ginger Rogers' felon in the "Chicago" adaptation Roxie Hart (1942), and continued to earn occasional distinction in such post-WWII pictures as The Hucksters (1947) and State of the Union (1948). His last lead was in the crackerjack thriller The Sniper (1952), in which he played an (urbane) San Francisco homicide detective tracking down a killer who preys on women in San Francisco, and he appeared without his mustache for the first time in nearly two decades. Also active on radio and TV, his last notable film was the classic anti-war picture Paths of Glory (1957) playing the villainous Gen. Broulard.Adolphe's extreme hardcore right-wing Republican politics hurt his later reputation, as he was made a scapegoat for his cooperation as a "friendly witness" at the House Un-American Activities Commission hearing during the Joseph McCarthy Red Scare era. Following his last picture, Disney's Pollyanna (1960), in which he played an uncharacteristically rumpled curmudgeon who is charmed by Hayley Mills, he retired from acting. He died after a nine-month battle with hepatitis on October 29, 1963, inside his Beverly Hills home. Three times proved the charm for Adolphe with his 1934 marriage to actress Verree Teasdale, who survived him. The couple had an adopted son named Peter. His autobiography, "It Took Nine Tailors" (1947), pretty much says it all for this polished, preening professional.
Adolphe Menjou is a member of Actor

Age, Biography and Wiki

Who is it? Actor, Soundtrack, Producer
Birth Day February 18, 1890
Birth Place  Pittsburgh, Pennsylvania, United States
Age 129 YEARS OLD
Died On October 29, 1963(1963-10-29) (aged 73)\nBeverly Hills, California, U.S.
Birth Sign Pisces
Resting place Hollywood Forever Cemetery
Occupation Actor
Years active 1914–1960
Spouse(s) Katherine Conn Tinsley (m. 1920–1927) Kathryn Carver (m. 1928–1934) Verree Teasdale (m. 1934–1963)
Relatives Henri Menjou (brother)

💰 Net worth: Under Review

Some Adolphe Menjou images

Biography/Timeline

1858

Menjou was born in Pittsburgh, Pennsylvania, to a French father, Albert Menjou (1858–1917), and an Irish mother from Galway, Nora (née Joyce) (1869–1953). He had a brother named Henry Arthur Menjou (1891-1956) who was a year younger. He was raised Roman Catholic, attended the Culver Military Academy, and graduated from Cornell University with a degree in engineering. Attracted to the vaudeville stage, he made his movie debut in 1916 in The Blue Envelope Mystery. During World War I, he served as a captain in the United States Army ambulance Service. He trained in Pennsylvania before going overseas.

1923

Returning from the war, he became a star in such films as The Sheik and The Three Musketeers. When he starred in 1923's A Woman of Paris, he solidified the image of a well-dressed man-about-town, and was later voted the Best Dressed Man in America nine times. His career stalled with the coming of talkies, but in 1930, he starred in Morocco, with Marlene Dietrich. He was nominated for an Academy Award for The Front Page (1931).

1928

One of the most famous photographs by the Avant-garde Photographer Umbo is a picture he titled "Menjou En Gros" ca. 1928.

1944

Menjou was a staunch Republican who equated the Democratic Party with socialism. He supported the political ideology of Herbert Hoover's administration who rejected the belief that the federal government held responsibility for aiding the unemployed or that government should intervene to ameliorate social ills. Menjou confided to a friend that he feared that if a Democrat won the White House he "would raise taxes, destroy the value of the dollar," depriving him of a good portion of his wealth. He took precautions against this threat to his finances. "I've got gold stashed in safety deposit boxes all over town...they'll never get an ounce from me." In 1944, he joined other Celebrity Republicans at a rally in the Los Angeles Coliseum arranged by David O. Selznick in support of the Dewey–Bricker ticket as well as Governor Earl Warren of California, who would be Dewey's running mate in 1948. The gathering drew 93,000, with Cecil B. DeMille as the master of ceremonies and short speeches by Hedda Hopper and Walt Disney. Despite the good turnout at the rally, most Hollywood celebrities who took a public position sided with the Roosevelt–Truman ticket.

1947

In 1947, Menjou cooperated with the House Committee on Un-American Activities in its hunt for communists in Hollywood. Menjou was a leading member of the Motion Picture Alliance for the Preservation of American Ideals, a group formed to oppose communist influence in Hollywood. Other members included John Wayne, Barbara Stanwyck (with whom he co-starred in Forbidden in 1932 and Golden Boy in 1939) and her husband, actor Robert Taylor.

1948

In 1948, Menjou published his autobiography, It Took Nine Tailors.

1956

In 1955, Menjou played Dr. Elliott Harcourt in "Barrier of Silence", episode 19 of the first season of the television series Science Fiction Theatre. He guest starred as Fitch, with Orson Bean and Sue Randall as John and Ellen Monroe, in a 1961 episode, "The Secret Life of James Thurber", based on the works of the American humorist James Thurber, of the CBS anthology series The DuPont Show with June Allyson. He also appeared in the Thanksgiving episode of NBC's The Ford Show, Starring Tennessee Ernie Ford, which aired on November 22, 1956. His final film role as the town curmudgeon in Disney's Pollyanna was one of his best known roles.

1957

Menjou ended his film career with such roles as French General George Broulard in Stanley Kubrick's 1957 film Paths of Glory.

1963

Menjou died on October 29, 1963, of hepatitis in Beverly Hills, California. He is interred next to Verree at Hollywood Forever Cemetery.

1969

In Mario Puzo's 1969 novel The Godfather, Dr. Jules Segal refers to Johnny Fontane's Doctor as his "Adolphe Menjou medical man."

1991

In Honor Thy Mother, the thirteenth episode of the ninth season of Cheers (aired January 3, 1991) where Carla Tortelli's mother pressures Carla to follow the family tradition and name one of her sons with her father's first name and her mother's maiden name, resulting in the name Benito Mussolini, Rebecca Howe quips to the bar "Well, it could have been worse. What if her father's name had been Adolf?" to which Woody Boyd adds "Yeah, and her mother's maiden name could have been Menjou. Phew! She really dodged a bullet there."

1997

In James Wilcox's novel, North Gladiola (1997), the heroine's husband is thus described: "Mr Coco's narrow brown eyes—they had once reminded her of Adolphe Menjou, whom she used to have a crush on—dimmed with resentment."

2014

Because of his political sympathies, Menjou came into conflict with Actress Katharine Hepburn. Menjou appeared with her in the films Morning Glory, Stage Door, and State of the Union, which also starred Spencer Tracy. Hepburn was strongly opposed to co-operating with the McCarthy hearings. Their clashes were reportedly instant, and mutually cutting; Menjou said of Hepburn during the House Committee on Un-American Activities investigation into alleged communist infiltration, "Scratch a do-gooder, like Hepburn, and they'll yell, 'Pravda'." To this, Hepburn called Menjou, "Wisecracking, witty—a flag-waving superpatriot who invested his American dollars in Canadian bonds and had a thing about Communists." Unsurprisingly, it was reported by william Mann in his biography of Hepburn, Kate, that during the filming of State of the Union, she and Menjou only spoke to each other when required to in the film script.