A. E. van Vogt Net Worth

A. E. van Vogt was born on April 26, 1912 in Manitoba, Canada, Canadian, is Science Fiction Author. A. E. van Vogt was one of the most prolific writers of the Golden Age of science fiction, which also saw writers such as Isaac Asimov, Arthur C. Clarke, Ray Bradbury and Theodore Sturgeon. In a career spanning six decades, he penned 39 novels and many short stories. His first novels were ‘Black Destroyer’ and ‘Discord in Scarlet’. ‘Slan’, his most popular novel is about a nine year old boy belonging to a super race called Slan. ‘The Voyage of the Space Beagle’, another successful novel has been credited with inspiring episodes of the Star Trek. After WWII, he shifted to Hollywood. He wrote three novels, ‘The World of Null-A’, ‘The Pawns of Null-A’, ‘Null-A Three’, which supported Alfred Korzybski’s General Semantics (that decisions are made from subjective options based on an overall knowledge of a matter) as opposed to the Aristotelian logic of deductive reasoning. He was affected by the creation of totalitarian states like China, and depicted the all-powerful infallible violent male, in his book, ‘The Violent Man’. He organized his writing, describing scenes of 800 words, and his stories revolved around a temporal conundrum theme. Though he was held in high esteem by Isaac Asimov, he was criticized by Damon Knight for his inconsistent plots, and lack of imagination and reasoning.
A. E. van Vogt is a member of Writers

Age, Biography and Wiki

Who is it? Science Fiction Author
Birth Day April 26, 1912
Birth Place Manitoba, Canada, Canadian
Age 108 YEARS OLD
Died On January 26, 2000(2000-01-26) (aged 87)\nLos Angeles, California, US
Birth Sign Taurus
Occupation Writer
Period 1939–1986 (science fiction)
Genre Science fiction
Literary movement Golden Age of Science Fiction
Spouse Edna Mayne Hull (1939–1975) Lydia van Vogt (until his death)

💰 Net worth: $8 Million

Some A. E. van Vogt images

Famous Quotes:

Childhood was a terrible period for me. I was like a ship without anchor being swept along through darkness in a storm. Again and again I sought shelter, only to be forced out of it by something new.

Biography/Timeline

1938

Van Vogt began his writing career with stories in the true confession style of pulp magazines such as True Story. He decided to switch to writing science fiction, which he enjoyed. He was inspired by the August 1938 issue of Astounding Science Fiction, which he picked up at a newsstand. John W. Campbell's novelette "Who Goes There?" (later adapted into The Thing from Another World and The Thing) inspired van Vogt to write "Vault of the Beast", which he submitted to that same magazine. Campbell, who edited Astounding (and had written the story under a pseudonym), sent van Vogt a rejection letter, but one which encouraged van Vogt to try again. Van Vogt sent another story, entitled "Black Destroyer," which was accepted. A revised version of "Vault of the Beast" would be published in 1940.

1939

Van Vogt's first SF publication was inspired by The Voyage of the Beagle by Charles Darwin. "The Black Destroyer" was published in July 1939 by John W. Campbell in Astounding Science Fiction, the centennial year of Darwin's journal. It featured a fierce, carnivorous alien, the coeurl, stalking the crew of an exploration spaceship. "Discord in Scarlet" was his second story to be published, also appearing as the cover story. It was accompanied by interior illustrations created by Frank Kramer and Paul Orban. (Van Vogt and Kramer thus debuted in the issue of Astounding that is sometimes identified as the start of the Golden Age of Science Fiction.) The former story served as the inspiration for multiple science fiction movies. In 1950, the two were combined with two other stories as a fix-up novel, The Voyage of the Space Beagle (Simon & Schuster), which was published in at least five European languages by 1955. Positing the need for exobiologists who will appreciate the differences between the inhabitants of other planets and ourselves, it stresses the importance of the civilian rather than military in exploration of other cultures.

1940

He subsequently wrote three novels merging these overarching themes, The World of Null-A and The Pawns of Null-A in the late 1940s, and Null-A Three in the early 1980s. Null-A, or non-Aristotelian logic, refers to the capacity for, and practice of, using intuitive, inductive reasoning (compare fuzzy logic), rather than reflexive, or conditioned, deductive reasoning.

1941

Others saw van Vogt's talent and stardom from his first story, and in 1941, van Vogt decided to become a full-time Writer, quitting his job at the Canadian Department of National Defence. Prolific for a few years, van Vogt wrote many short stories. In the 1950s, many of them were retrospectively patched together into novels, or "fixups" as he called them, a term that entered the vocabulary of science-fiction criticism. When the original stories were related (e.g., The War against the Rull) this was often successful. When not (e.g., Quest for the Future) the disparate stories thrown together generally made for a less coherent plot.

1944

In 1944, van Vogt moved to Hollywood, where his writing took on new dimensions after World War II. He was always interested in the idea of all-encompassing systems of knowledge (akin to modern meta-systems)—the characters in his very first story used a system called "Nexialism" to analyze the alien's behavior, and he became interested in the general semantics of Alfred Korzybski.

1945

Critical opinion about the quality of van Vogt's work is sharply divided. An early and articulate critic was Damon Knight. In a 1945 chapter-long essay reprinted in In Search of Wonder, entitled "Cosmic Jerrybuilder: A. E. van Vogt", Knight described van Vogt as "no giant; he is a pygmy who has learned to operate an overgrown typewriter". Knight described The World of Null-A as "one of the worst allegedly adult science fiction stories ever published". Concerning van Vogt's writing, Knight said:

1946

In 1946, van Vogt and his first wife, Edna Mayne Hull, were Guests of Honor at the fourth World Science Fiction Convention.

1950

It is generally held that the "damnable SFWA politics" concerns Damon Knight, the founder of the SFWA, who abhorred van Vogt's style and politics and thoroughly demolished his literary reputation in the 1950s.

1951

In 1951, he published The Weapon Shops of Isher. In the same decade, van Vogt also produced collections and fixups such as The Mixed Men (1952), The War Against the Rull (1959), and the two "Clane" novels, Empire of the Atom (1957) and The Wizard of Linn (1962), which were inspired (like Asimov's Foundation series) by Roman imperial history, specifically the reign of Claudius. His later novels included fixups such as The Beast (also known as Moonbeast) (1963), Rogue Ship (1965), Quest for the Future (1970) and Supermind (1977); expanded short stories such as The Darkness on Diamondia (1972) and Future Glitter (also known as Tyranopolis; 1973); original novels such as Children of Tomorrow (1970), The Battle of Forever (1971) and The Anarchistic Colossus (1977); plus sequels to his classic works, many of which were promised, but only one of which appeared, Null-A Three (1984; originally published in French). Several later books were original in Europe, and at least one novel only ever appeared in Italian.

1958

The works of van Vogt were translated into French by the surrealist Boris Vian (The World of Null-A as Le Monde des Å in 1958), and van Vogt's works were "viewed as great literature of the surrealist school". In addition, Slan was published in French, translated by Jean Rosenthal, under the title À la poursuite des Slans, as part of the paperback series 'Editions J'ai Lu: Romans-Texte Integral' in 1973, this edition also listing the following works by van Vogt as having been published in French as part of this series: Le Monde des Å, La faune de l'espace, Les joueurs du Å, L'empire de l'atome, Le sorcier de Linn, Les armureries d'Isher, Les fabricants d'armes, and Le livre de Ptath.

1962

Van Vogt was profoundly affected by revelations of totalitarian police states that emerged after World War II. He wrote a mainstream novel that he set in Communist China, The Violent Man (1962); he said that to research this book he had read 100 books about China. Into this book he incorporated his view of "the violent male type", which he described as a "man who had to be right", a man who "instantly attracts women" and who he said were the men who "run the world".

1974

Knight also expressed misgivings about van Vogt's politics. He noted that van Vogt's stories almost invariably present absolute monarchy in a favorable light. In 1974, Knight retraced some of his criticism after finding out about Vogt's working methods about writing down his dreams:

1980

In 1980, van Vogt received a "Casper Award" (precursor to the Canadian Prix Aurora Awards) for Lifetime Achievement.

1995

The Science Fiction Writers of America named him its 14th Grand Master in 1995 (presented 1996). Great controversy within SFWA accompanied its long wait in bestowing its highest honor (limited to living Writers, no more than one annually). Writing an obituary of van Vogt, Robert J. Sawyer, a fellow Canadian Writer of science fiction remarked:

1996

In 1996, van Vogt received a Special Award from the World Science Fiction Convention "for six decades of golden age science fiction". That same year, the Science Fiction and Fantasy Hall of Fame inducted him in its inaugural class of two deceased and two living persons, along with Writer Jack Williamson (also living) and editors Hugo Gernsback and John W. Campbell.

1999

Harlan Ellison was more explicit in 1999 introduction to Futures Past: The Best Short Fiction of A. E. van Vogt:

2000

On January 26, 2000, van Vogt died in Los Angeles, United States from Alzheimer's disease, survived by his second wife, the former Lydia Bereginsky.

2014

In The John W. Campbell Letters, Campbell says, "The son-of-a-gun gets hold of you in the first paragraph, ties a knot around you, and keeps it tied in every paragraph thereafter—including the ultimate last one".

2019

Dick also defended van Vogt against Damon Knight’s criticisms: